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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Mother Goose, Duke of York's Theatre review - Ian McKellen returns as the Dame

Thursday, 22 December 2022 Read more...

10 Questions for comedian Alex Edelman

Monday, 19 December 2022 Read more...

Veronica Lee's Top 10 Films of 2022

Sunday, 18 December 2022 Read more...

A Christmas Carol-ish, Soho Theatre review - Mr Swallow causes havoc again

Thursday, 15 December 2022 Read more...

Tom Ward, Brighton Komedia review - offbeat observational gags

Monday, 12 December 2022 Read more...

Sara Pascoe, Assembly Hall, Tunbridge Wells review - motherhood and the perils of fame

Friday, 25 November 2022 Read more...

Jerry Sadowitz, Eventim Apollo review - brilliantly dark

Friday, 18 November 2022 Read more...

Helen Bauer, Soho Theatre review - rollicking show about how to be a modern woman

Saturday, 05 November 2022 Read more...

Dave Gorman, Touring - comic in skittish mood

Thursday, 20 October 2022 Read more...

Dara Ó Briain, Touring review - a comic on tip-top form

Saturday, 15 October 2022 Read more...

The Lost King review - fact or fiction?

Tuesday, 11 October 2022 Read more...

Harry Hill, touring review - uneven madcap show

Monday, 10 October 2022 Read more...

Kim Noble, Soho Theatre review - final part of trilogy about loneliness

Wednesday, 28 September 2022 Read more...

Am I Being Unreasonable?, BBC One review - comedy thriller delivers the gags

Saturday, 24 September 2022 Read more...

Rob Rouse, Rewind the Fringe review - unstructured but gleeful fun

Friday, 16 September 2022 Read more...

Dave Edinburgh Comedy Awards 2022

Wednesday, 31 August 2022 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
The Buccaneers, Apple TV+, Season 2 review - American advent...

Edith Wharton hadn’t finished her novel, The Buccaneers, when she died in 1937, but it was completed in 1993 by Marion Mainwaring. The...

The Midnight Bell, Sadler's Wells review - a first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...