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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Phil Wang, RFH review - smut and smarts

Tuesday, 23 May 2023 Read more...

Hannah Gadsby, Netflix special review - shaggy dog story of marital bliss

Tuesday, 16 May 2023 Read more...

Dick and Dom in da Bungalow, Touring review - Bogies, bottoms and other childish fun

Tuesday, 25 April 2023 Read more...

Emmanuel Sonubi, ArtsDepot review - confessions of a former bouncer

Monday, 17 April 2023 Read more...

Vardy v Rooney: The Wagatha Christie Trial, Ambassadors Theatre review - courtroom drama hits the back of the net

Thursday, 13 April 2023 Read more...

Chris Rock, Netflix special review - no holds barred on the Oscars slap

Friday, 17 March 2023 Read more...

Crybabies, Soho Theatre review - sharp sci-fi spoof

Thursday, 09 March 2023 Read more...

Bridget Christie, The Haymarket, Basingstoke review - making the menopause funny

Tuesday, 07 March 2023 Read more...

Ricky Gervais, BIC review - nudging the boundaries again

Monday, 27 February 2023 Read more...

What's Love Got to Do With It? review - Jemima Khan's feelgood romcom

Monday, 27 February 2023 Read more...

'Weird Al' Yankovic, London Palladium review - deep dive into his original songs

Tuesday, 21 February 2023 Read more...

Catherine Cohen, Brighton Komedia review - songs and New York sass

Thursday, 09 February 2023 Read more...

Puss in Boots: The Last Wish review - thrilling adventure with Antonio Banderas

Saturday, 04 February 2023 Read more...

Lucy Porter, Cambridge Junction review - making light of a midlife crisis

Monday, 23 January 2023 Read more...

Best of 2022: Comedy

Friday, 30 December 2022 Read more...

Christmas shows 2022 round-up - panto is properly back

Friday, 23 December 2022 Read more...

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'We are bowled over!' Thank you for your messages... ...
Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...

Sarah Silverman, Netflix Special review - finding the funny...

Death can be a powerful driver for comedy...

Blu-ray: Darling

A look at Darling on its 60th anniversary offers a sobering reality check on the "...