wed 06/08/2025

Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

John Robins, touring - high anxiety can be funny

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The Miracle Club review - unchallenging but enjoyable Irish drama

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The Foreigners' Panto, BOLD Theatre review - no laughing matter

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Peter Kay, O2 Arena review - comeback show is worth the wait

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Kate Berlant Is KATE, Soho Theatre review - glorious spoof of actory types

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Edinburgh Fringe 2023 review: Ahir Shah

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Edinburgh Fringe 2023 reviews: Janine Harouni / Paddy Young / Ian Smith

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Edinburgh Fringe 2023 reviews: Olga Koch / Bill O'Neill / Mary O'Connell

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Edinburgh Fringe 2023 reviews: Darran Griffiths / Louise Atkinson / Louise Young

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Edinburgh Fringe 2023 reviews: Tennessee, Rose / The Ballad of Truman Capote

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Edinburgh Fringe 2023 reviews: Flat & the Curves / Shamilton! / I Wish My Life Were Like a Musical

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Edinburgh Fringe 2023 reviews: Rob Auton / Laura Davis / Matt Forde

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Edinburgh Fringe 2023 reviews: Groomed / Let the Bodies Pile

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Edinburgh Fringe 2023 reviews: Amos Gill/ Lorna Rose Treen/ Crizards

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Edinburgh Fringe 2023 reviews: Krystal Evans / William Thompson / Alison Spittle

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Edinburgh Fringe 2023 reviews: Ania Magliano / Elliot Steel / Alexandra Haddow

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latest in today

'We are bowled over!' Thank you for your messages... ...
Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...

Album: Black Honey - Soak

The default setting for Brighton indie quartet Black Honey...

Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...

Alison Spittle, Monkey Barrel ★★★

Alison Spittle is fat, she tells us at the top of the show. But not as...

Blu-ray: Two Way Stretch / Heavens Above

The years between 1955’s The Ladykillers and 1964’s Dr Strangelove were the years of what Sanjeev Bhaskar recently described as...

Make It Happen, Edinburgh International Festival 2025 review...

You could distinctly hear the murmurs of recognition from the Edinburgh audience – responding to knowing mentions of the city’s Leith and...