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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Andy Zaltzman, Soho Theatre review - satire on the hoof

Monday, 16 May 2022 Read more...

Brandon Wardell, Soho Theatre review - US comic wings it

Thursday, 12 May 2022 Read more...

Stratagem With Alan Partridge, touring review - he's back as a lifestyle guru

Monday, 09 May 2022 Read more...

Barry & Joan review - quirky documentary about two vaudevillians

Friday, 06 May 2022 Read more...

Chivalry, Channel 4 review - Steve Coogan and Sarah Solemani's sharp Hollywood satire

Friday, 29 April 2022 Read more...

Shaparak Khorsandi, touring review - sex, drugs and rock'n'roll

Wednesday, 27 April 2022 Read more...

The Lost City review - terrific odd-couple comedy

Friday, 15 April 2022 Read more...

String v SPITTA, Soho Theatre review - rival children's entertainers battle it out

Monday, 11 April 2022 Read more...

Katherine Ryan, London Palladium review - a softer comic emerges

Monday, 04 April 2022 Read more...

Catherine Bohart, Soho Theatre review - anatomy of a break-up

Monday, 14 March 2022 Read more...

Bloody Difficult Women, Riverside Studios review - political drama

Wednesday, 02 March 2022 Read more...

Sarah Millican, Winter Gardens, Margate review - enjoyable filth

Tuesday, 01 March 2022 Read more...

Marry Me review - Jennifer Lopez vehicle delivers

Monday, 14 February 2022 Read more...

Death on the Nile review - Kenneth Branagh flounders again as Poirot

Friday, 11 February 2022 Read more...

Matt Forde: The Political Party review - topical stand-up and chat

Monday, 07 February 2022 Read more...

Nish Kumar, Soho Theatre review - how a bad gig turned into a terrific show

Monday, 31 January 2022 Read more...

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'We are bowled over!' Thank you for your messages... ...
The Midnight Bell, Sadler's Wells review - A first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...