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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Dara Ó Briain, Touring review - a comic on tip-top form

Saturday, 15 October 2022 Read more...

The Lost King review - fact or fiction?

Tuesday, 11 October 2022 Read more...

Harry Hill, touring review - uneven madcap show

Monday, 10 October 2022 Read more...

Kim Noble, Soho Theatre review - final part of trilogy about loneliness

Wednesday, 28 September 2022 Read more...

Am I Being Unreasonable?, BBC One review - comedy thriller delivers the gags

Saturday, 24 September 2022 Read more...

Rob Rouse, Rewind the Fringe review - unstructured but gleeful fun

Friday, 16 September 2022 Read more...

Dave Edinburgh Comedy Awards 2022

Wednesday, 31 August 2022 Read more...

Edinburgh Fringe 2022 reviews: Joseph Parsons / Njambi McGrath / Josh Jones

Friday, 19 August 2022 Read more...

Edinburgh Fringe 2022 reviews: Jake Lambert / Bella Hull / Jack Harris

Thursday, 18 August 2022 Read more...

Edinburgh Fringe 2022 reviews: Hal Cruttenden / Zach Zucker / The Delightful Sausage

Wednesday, 17 August 2022 Read more...

Edinburgh Fringe 2022 reviews: Randy Feltface / Sarah Keyworth / Andrew Maxwell

Tuesday, 16 August 2022 Read more...

Edinburgh Fringe 2022 reviews: Ania Magliano / Leo Reich / Chloe Petts

Monday, 15 August 2022 Read more...

Edinburgh Fringe 2022 reviews: Sara Barron / Jayde Adams / Sophie Duker

Saturday, 13 August 2022 Read more...

Edinburgh Fringe 2022 reviews: Afghanistan Is Not Funny / Yippee Ki Yay / Eh Up, Me Old Flowers!

Friday, 12 August 2022 Read more...

Edinburgh Fringe 2022 reviews: Kiri Pritchard-McLean / Lou Sanders / Snort

Thursday, 11 August 2022 Read more...

Edinburgh Fringe 2022 reviews: Colin Hoult / Nick Helm / Susie McCabe

Wednesday, 10 August 2022 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
Good Night, Oscar, Barbican review - sad story of a Hollywoo...

Back in the day, when America’s late-night chat show hosts and their guests sat happily smoking as they shot the breeze for a growing...

Album: The Black Keys - No Rain, No Flowers

For a band who started by entirely self-producing their own records and performing in basements...

Edinburgh Fringe 2025 reviews - Rob Auton / Saaniya Abbas

Rob Auton, Assembly Roxy ★★★...

BBC Proms: Láng, Cser, Budapest Festival Orchestra, Ivan Fis...

“Some are born to sweet delight, some are born to endless night,” quoth Blake. Beethoven and Bartók knew both...

Wilderness Festival 2025 review - seriously delirious escapi...

Wilderness is the kind of festival where you can overhear a conversation about the philosophical implications of rewilding whilst queuing...

Album: Ethel Cain - Willoughby Tucker, I'll Always Love...

This is a weird one: I do try and stay on top of pop culture, but for several years, Ethel Cain completely passed me by. You’d think I would have...

Weilerstein, NYO2, Payare / Dueñas, Malofeev, Edinburgh Inte...

NYO2 is a group of dazzlingly talented (and terrifyingly young-looking) 14-17 year olds from the USA, one of Carnegie Hall’s three national youth...

Edinburgh Fringe 2025 reviews - Monstering the Rocketman by...

Monstering the Rocketman by Henry Naylor, Pleasance Dome ★★...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...