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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Edinburgh Fringe 2022 reviews: Joseph Parsons / Njambi McGrath / Josh Jones

Friday, 19 August 2022 Read more...

Edinburgh Fringe 2022 reviews: Jake Lambert / Bella Hull / Jack Harris

Thursday, 18 August 2022 Read more...

Edinburgh Fringe 2022 reviews: Hal Cruttenden / Zach Zucker / The Delightful Sausage

Wednesday, 17 August 2022 Read more...

Edinburgh Fringe 2022 reviews: Randy Feltface / Sarah Keyworth / Andrew Maxwell

Tuesday, 16 August 2022 Read more...

Edinburgh Fringe 2022 reviews: Ania Magliano / Leo Reich / Chloe Petts

Monday, 15 August 2022 Read more...

Edinburgh Fringe 2022 reviews: Sara Barron / Jayde Adams / Sophie Duker

Saturday, 13 August 2022 Read more...

Edinburgh Fringe 2022 reviews: Afghanistan Is Not Funny / Yippee Ki Yay / Eh Up, Me Old Flowers!

Friday, 12 August 2022 Read more...

Edinburgh Fringe 2022 reviews: Kiri Pritchard-McLean / Lou Sanders / Snort

Thursday, 11 August 2022 Read more...

Edinburgh Fringe 2022 reviews: Colin Hoult / Nick Helm / Susie McCabe

Wednesday, 10 August 2022 Read more...

Edinburgh Fringe 2022 reviews: Kathy and Stella Solve a Murder! / Hiya Dolly!

Tuesday, 09 August 2022 Read more...

Edinburgh Fringe 2022 reviews: Les Dawson: Flying High / Boris III

Sunday, 07 August 2022 Read more...

Edinburgh Fringe 2022 reviews: Tiff Stevenson / Seann Walsh / Rosie Holt

Saturday, 06 August 2022 Read more...

Sikisa, Soho Theatre review - a confident debut

Monday, 18 July 2022 Read more...

McEnroe review - documentary about the original bad boy of tennis

Thursday, 14 July 2022 Read more...

Joe Lycett, Eventim Apollo review - prankster goes long-form

Friday, 01 July 2022 Read more...

Ricky Gervais, SuperNature, Netflix review - a provocateur at work

Wednesday, 08 June 2022 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
The Midnight Bell, Sadler's Wells review - a first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...