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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Fern Brady, Netflix Special review - sex, relationships and death

Monday, 29 April 2024 Read more...

Jonathan Pie, Duke of York's Theatre review - spoof political reporter takes no prisoners

Friday, 19 April 2024 Read more...

Six Chick Flicks, Leicester Square Theatre review - funny, frenetic and feminist spoof

Friday, 12 April 2024 Read more...

Pierre Novellie, Soho Theatre review - turning a heckle into a show

Tuesday, 02 April 2024 Read more...

Catherine Bohart, Soho Theatre review - girlfriends, gossip and gay parenthood

Saturday, 09 March 2024 Read more...

Miles Jupp, Cambridge Arts Theatre review - life's vicissitudes turned into laughs

Tuesday, 05 March 2024 Read more...

Andy Parsons, Touring review - reasons to be cheerful...

Wednesday, 28 February 2024 Read more...

Paul Foot, Soho Theatre review - how to discover the meaning of life

Monday, 19 February 2024 Read more...

Jessica Fostekew, Soho Theatre review - age is just a number

Tuesday, 13 February 2024 Read more...

Tatty Macleod, Soho Theatre review - cross-Channel relations

Thursday, 11 January 2024 Read more...

Best of 2023: Comedy

Saturday, 30 December 2023 Read more...

Reuben Kaye, Purcell Room review - Australian gives powerhouse performance

Friday, 22 December 2023 Read more...

Lucy Beaumont, Touring review - Hull’s finest goes on the road

Friday, 10 November 2023 Read more...

Michael McIntyre, Brighton Centre review - observational everyman

Monday, 30 October 2023 Read more...

John Robins, touring - high anxiety can be funny

Friday, 20 October 2023 Read more...

The Miracle Club review - unchallenging but enjoyable Irish drama

Friday, 13 October 2023 Read more...

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'We are bowled over!' Thank you for your messages... ...
Music Reissues Weekly: Chip Shop Pop - The Sound of Denmark...

One of the more interesting tracks on Paul Weller’s fascinating new cover versions album Find El Dorado is his interpretation of “When...

theartsdesk at the Three Choirs Festival - Passion in the Ca...

“Powerful, Timeless, Inspiring” it says on the front cover of the programme-book for this year’s supposedly 297th Three Choirs Festival at...

Natalia Ginzburg: The City and the House review - a dying ar...

Many readers and writers think of epistolary novels as old-fashioned, just as letter writing itself can seem a bit quaint nowadays. The genre...

Album: Mansur Brown - Rihla

I like to think I’m open to most things, but even so I never thought that I’d be getting an education in prog metal in the summer of 2025. Let...

BBC Proms: Estonian Philharmonic Chamber Choir, Kaljuste rev...

Arvo Pärt was into his 40s before he made had his Big Musical Idea: simplicity. He has spent the subsequent half-century pursuing this ideal,...

Top Hat, Chichester Festival Theatre review - top spectacle...

After 76 years, you’d have thought they could’ve come up with a better story! Okay, that’s a cheap jibe and, given the elusive...

Late Shift review - life and death in an understaffed Swiss...

Floria (the superb Leonie Benesch: The Crown; The Teachers’ Lounge; September 5) is a nurse, working the severely understaffed...

Edinburgh Fringe 2025 reviews: Alright Sunshine / K Mak at t...

Alright Sunshine, Pleasance Dome ★★...

The Naked Gun review - farce, slapstick and crass stupidity

The original Naked Gun series (spun off from the Police Squad! TV show) brought reliable belly-laughs to the Eighties and...