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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Edinburgh Fringe 2024 reviews: Emma Sidi Is Sue Gray / Sam Lake

Thursday, 08 August 2024 Read more...

Edinburgh Fringe 2024 reviews: Eric Rushton / Mark Thomas

Wednesday, 07 August 2024 Read more...

Edinburgh Fringe 2024 reviews: Anna Akana / Elliot Steel / Rosco McClelland

Tuesday, 06 August 2024 Read more...

Edinburgh Fringe 2024 reviews: Jin Hao Li / Sian Davies

Monday, 05 August 2024 Read more...

Rahul Subramanian, Soho Theatre review - rush-hour traffic and upsetting DJs

Tuesday, 30 July 2024 Read more...

Hannah Berner, Netflix Special - sex, politics and relationships

Wednesday, 17 July 2024 Read more...

Jazz Emu, Soho Theatre review - delightfully daft musical spoof

Friday, 14 June 2024 Read more...

Rachel Parris, Leicester Square Theatre review - smart observations and satirical songs

Saturday, 08 June 2024 Read more...

Punt and Dennis, The Marlowe, Canterbury review - satire and sketches

Saturday, 25 May 2024 Read more...

DVD/Blu-ray: Billy Connolly - Big Banana Feet

Tuesday, 21 May 2024 Read more...

Clinton Baptiste, Touring review - spoof clairvoyant on great form

Monday, 20 May 2024 Read more...

Jack Docherty, Soho Theatre review - warm and witty childhood memoir

Thursday, 16 May 2024 Read more...

Rhod Gilbert, G-Live Guildford review - cancer, constipation and celebrity treatment

Monday, 13 May 2024 Read more...

Fern Brady, Netflix Special review - sex, relationships and death

Monday, 29 April 2024 Read more...

Jonathan Pie, Duke of York's Theatre review - spoof political reporter takes no prisoners

Friday, 19 April 2024 Read more...

Six Chick Flicks, Leicester Square Theatre review - funny, frenetic and feminist spoof

Friday, 12 April 2024 Read more...

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'We are bowled over!' Thank you for your messages... ...
Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...

Sarah Silverman, Netflix Special review - finding the funny...

Death can be a powerful driver for comedy...

Blu-ray: Darling

A look at Darling on its 60th anniversary offers a sobering reality check on the "...