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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Sarah Millican, Winter Gardens, Margate review - enjoyable filth

Tuesday, 01 March 2022 Read more...

Marry Me review - Jennifer Lopez vehicle delivers

Monday, 14 February 2022 Read more...

Death on the Nile review - Kenneth Branagh flounders again as Poirot

Friday, 11 February 2022 Read more...

Matt Forde: The Political Party review - topical stand-up and chat

Monday, 07 February 2022 Read more...

Nish Kumar, Soho Theatre review - how a bad gig turned into a terrific show

Monday, 31 January 2022 Read more...

Alan Carr, Milton Keynes Theatre review - comic keeps it relentlessly light

Wednesday, 26 January 2022 Read more...

Russell Howard, Netflix special review - joyous return to live performance

Thursday, 20 January 2022 Read more...

Goldilocks and the Three Bears, Birmingham Hippodrome review - Jason Donovan makes his panto debut

Monday, 17 January 2022 Read more...

One-Woman Show review - Liz Kingsman's spot-on spoof

Wednesday, 12 January 2022 Read more...

The Apprentice, Series 16, BBC One review - will they never learn?

Friday, 07 January 2022 Read more...

Pantomime 2021 round-up 2: TV stars in the spotlight

Friday, 31 December 2021 Read more...

Best of 2021: Comedy

Wednesday, 29 December 2021 Read more...

Pantomime 2021 round-up 1: a great Dame and two debuts

Tuesday, 14 December 2021 Read more...

Shagged. Married. Annoyed. Live, O2 Arena review - popular podcast lost in translation

Tuesday, 07 December 2021 Read more...

Alfie Brown, Soho Theatre review - a contrarian on great form

Friday, 19 November 2021 Read more...

King Richard review - Will Smith gives an affecting performance as Richard Williams

Thursday, 18 November 2021 Read more...

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'We are bowled over!' Thank you for your messages... ...
Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...

Album: Black Honey - Soak

The default setting for Brighton indie quartet Black Honey...

Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ★★★...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...

Alison Spittle, Monkey Barrel ★★★

Alison Spittle is fat, she tells us at the top of the show. But not as...

Blu-ray: Two Way Stretch / Heavens Above

The years between 1955’s The Ladykillers and 1964’s Dr Strangelove were the years of what Sanjeev Bhaskar recently described as...

Make It Happen, Edinburgh International Festival 2025 review...

You could distinctly hear the murmurs of recognition from the Edinburgh audience – responding to knowing mentions of the city’s Leith and...