fri 20/06/2025
Home > users

Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Comedy podcasts round-up 1: from home and abroad

Monday, 07 December 2020 Read more...

Natalie Palamides: Nate: A One Man Show, Netflix review - deep dive into toxic masculinity still has power

Thursday, 03 December 2020 Read more...

Sarah Cooper: Everything's Fine, Netflix review - star-studded special for Trump lip-syncer

Tuesday, 17 November 2020 Read more...

Dear Joan & Jericha review - glorious wrong advice from spoof agony aunts

Wednesday, 04 November 2020 Read more...

Adam Kay, Apollo Theatre review - former medic tells tales from NHS front line

Friday, 23 October 2020 Read more...

Live From the Grand Hall, BAC review - strong mixed bill to start autumn season

Monday, 19 October 2020 Read more...

Taskmaster, Channel 4 review - comedy show makes seamless transfer

Friday, 16 October 2020 Read more...

The Cheeky Chappie, The Warren Outdoors review - entertaining drama about risqué comic Max Miller

Wednesday, 23 September 2020 Read more...

Picnic at the Castle review - entertaining mixed bill

Saturday, 19 September 2020 Read more...

One Enchanted Evening, Glastonbury Abbey review - concert of West End show tunes

Tuesday, 01 September 2020 Read more...

Mixed bill, 21Soho review - opening of new club is cause for celebration

Monday, 31 August 2020 Read more...

The Warren Outdoor Season, Brighton review - creatives take to the beach

Tuesday, 18 August 2020 Read more...

Mandy, BBC2 review - Diane Morgan's new creation

Friday, 14 August 2020 Read more...

The New Normal, Royal Victoria Patriotic Building review - strong mixed bill

Friday, 07 August 2020 Read more...

John Cleese, livestream from Cadogan Hall review - abandon all hope, says the former Python

Monday, 03 August 2020 Read more...

Comedy in the Courtyard, BAC review - al fresco gags

Tuesday, 28 July 2020 Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Prost, BBC 4 review - life and times of the driver they call...

With Brad Pitt’s much-trumpeted F1 movie about to screech noisily into the multiplexes, it’s not a bad time to be reminded of the career of one of...

Monteverdi Choir, English Baroque Soloists, Suzuki, St Marti...

In the Saxony of 1725 – still in the grip of Europe’s “Little Ice Age” – Bach and his musicians would seldom have had to deal with the sort of...

Patrick Wolf, Rough Trade East review - the Kent-based bard...

After the evening’s second song “The Last of England,” Patrick Wolf cautions “I’ve got nothing left to say.” During the shows leading up to this...

4.48 Psychosis, Royal Court review - powerful but déjà vu

Sarah Kane is the most celebrated new writer of the 1990s. Her work is provocative and innovative. So it seems oddly unimaginative to mark the...

The Buccaneers, Apple TV+, Season 2 review - American advent...

Edith Wharton hadn’t finished her novel, The Buccaneers, when she died in 1937, but it was completed in 1993 by Marion Mainwaring. The...

Red Path review - the dead know everything

Here’s a film you might not feel like seeing. After all, Red Path tells of a 14-year-old in Tunisia who is forced to carry home the...

Album: Loyle Carner - Hopefully!

Loyle Carner’s Hopefully! is a luminous, deeply personal exploration of fatherhood, identity, and artistic reinvention, marking the south...

The Midnight Bell, Sadler's Wells review - a first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...