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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Dick Whittington, National Theatre at Home review - colourful and amiable entertainment

Monday, 11 January 2021 Read more...

Comedy podcasts round-up 2: from home and abroad

Wednesday, 06 January 2021 Read more...

Best of 2020: Comedy

Wednesday, 30 December 2020 Read more...

Pantomimes 2020 round-up: what's available online

Monday, 21 December 2020 Read more...

The Comeback, Noël Coward Theatre review - frantic farce with touches of vaudeville

Monday, 14 December 2020 Read more...

Comedy podcasts round-up 1: from home and abroad

Monday, 07 December 2020 Read more...

Natalie Palamides: Nate: A One Man Show, Netflix review - deep dive into toxic masculinity still has power

Thursday, 03 December 2020 Read more...

Sarah Cooper: Everything's Fine, Netflix review - star-studded special for Trump lip-syncer

Tuesday, 17 November 2020 Read more...

Dear Joan & Jericha review - glorious wrong advice from spoof agony aunts

Wednesday, 04 November 2020 Read more...

Adam Kay, Apollo Theatre review - former medic tells tales from NHS front line

Friday, 23 October 2020 Read more...

Live From the Grand Hall, BAC review - strong mixed bill to start autumn season

Monday, 19 October 2020 Read more...

Taskmaster, Channel 4 review - comedy show makes seamless transfer

Friday, 16 October 2020 Read more...

The Cheeky Chappie, The Warren Outdoors review - entertaining drama about risqué comic Max Miller

Wednesday, 23 September 2020 Read more...

Picnic at the Castle review - entertaining mixed bill

Saturday, 19 September 2020 Read more...

One Enchanted Evening, Glastonbury Abbey review - concert of West End show tunes

Tuesday, 01 September 2020 Read more...

Mixed bill, 21Soho review - opening of new club is cause for celebration

Monday, 31 August 2020 Read more...

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'We are bowled over!' Thank you for your messages... ...
The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ★★★...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...

Alison Spittle, Monkey Barrel ★★★

Alison Spittle is fat, she tells us at the top of the show. But not as...

Blu-ray: Two Way Stretch / Heavens Above

The years between 1955’s The Ladykillers and 1964’s Dr Strangelove were the years of what Sanjeev Bhaskar recently described as...

Make It Happen, Edinburgh International Festival 2025 review...

You could distinctly hear the murmurs of recognition from the Edinburgh audience – responding to knowing mentions of the city’s Leith and...

Folkestone Triennial 2025 - landscape, seascape, art lovers...

A rare cloud form envelopes the headland and to the east and the west Folkestone is cut off from the known world. This mist shortens...

Edinburgh Fringe 2025 reviews - Rhys Darby / Alex Stringer

Rhys Darby, Pleasance Courtyard ★★★★

Rhys Darby, the New Zealand actor and...

Album: Molly Tuttle - So Long Little Miss Sunshine

Molly Tuttle is a star of the US bluegrass scene whose last couple of albums have broadened her appeal. On them she wandered into...