fri 20/06/2025
Home > users

Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

The Host review - implausible suspense thriller

Thursday, 16 April 2020 Read more...

Simon Amstell, Netflix review - wisdom and wisecracks

Tuesday, 14 April 2020 Read more...

Clarence Clemons: Who Do I Think I Am? review - documentary about Springsteen's saxophonist

Saturday, 11 April 2020 Read more...

Rachel Fairburn, Go Faster Stripe review - smart and subtle gags

Monday, 06 April 2020 Read more...

Lazy Susan, Soho Theatre On Demand review - sketch duo's ingeniously plotted show

Friday, 03 April 2020 Read more...

The Steph Show, Channel 4 review - magazine show debuts from host's front room

Tuesday, 31 March 2020 Read more...

Christine and the Queens/Instagram review - musical missives during lockdown

Tuesday, 31 March 2020 Read more...

Michelle Wolf: Joke Show, Netflix review - edgy and original material

Monday, 30 March 2020 Read more...

Mister Winner, BBC2 review - gentle comedy about one of life's losers

Thursday, 26 March 2020 Read more...

Shappi Khorsandi, Soho Theatre On Demand - enjoyable run-through of her career

Monday, 23 March 2020 Read more...

Steve Martin and Martin Short, SSE Hydro Glasgow review - old friends bring a touch of vaudeville

Tuesday, 10 March 2020 Read more...

Tom Rosenthal, The Hawth, Crawley review - circumcision made funny

Monday, 09 March 2020 Read more...

John Shuttleworth, Leicester Square Theatre review - reflections on life in the slow lane

Friday, 06 March 2020 Read more...

The Trouble With Maggie Cole, ITV review - Dawn French stars in new comedy drama

Thursday, 05 March 2020 Read more...

United Queendom, Kensington Palace review - rollicking royal tale

Tuesday, 03 March 2020 Read more...

Lucy Porter, Quarterhouse, Folkestone review - confessions of an ex-Brownie

Monday, 02 March 2020 Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Prost, BBC 4 review - life and times of the driver they call...

With Brad Pitt’s much-trumpeted F1 movie about to screech noisily into the multiplexes, it’s not a bad time to be reminded of the career of one of...

Monteverdi Choir, English Baroque Soloists, Suzuki, St Marti...

In the Saxony of 1725 – still in the grip of Europe’s “Little Ice Age” – Bach and his musicians would seldom have had to deal with the sort of...

Patrick Wolf, Rough Trade East review - the Kent-based bard...

After the evening’s second song “The Last of England,” Patrick Wolf cautions “I’ve got nothing left to say.” During the shows leading up to this...

4.48 Psychosis, Royal Court review - powerful but déjà vu

Sarah Kane is the most celebrated new writer of the 1990s. Her work is provocative and innovative. So it seems oddly unimaginative to mark the...

The Buccaneers, Apple TV+, Season 2 review - American advent...

Edith Wharton hadn’t finished her novel, The Buccaneers, when she died in 1937, but it was completed in 1993 by Marion Mainwaring. The...

Red Path review - the dead know everything

Here’s a film you might not feel like seeing. After all, Red Path tells of a 14-year-old in Tunisia who is forced to carry home the...

Album: Loyle Carner - Hopefully!

Loyle Carner’s Hopefully! is a luminous, deeply personal exploration of fatherhood, identity, and artistic reinvention, marking the south...

The Midnight Bell, Sadler's Wells review - a first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...