wed 06/08/2025
Home > users

Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Lou Sanders, Soho Theatre review - feminism and dodgy massages

Monday, 04 November 2019 Read more...

God's Dice, Soho Theatre review - overlong and overblown

Sunday, 03 November 2019 Read more...

Ben Elton, Tunbridge Wells Assembly Hall review - magnificent return to stand-up

Thursday, 31 October 2019 Read more...

Lenny Henry, Watford Colosseum review - enjoyable evening with genial host

Monday, 28 October 2019 Read more...

Hannah Gadsby, Royal Festival Hall review - simply magnificent

Saturday, 26 October 2019 Read more...

The Watsons, Menier Chocolate Factory review - Laura Wade's inventive new play

Tuesday, 01 October 2019 Read more...

Eddie Izzard, Brighton Dome review - splendidly surreal storytelling

Monday, 30 September 2019 Read more...

Ed Byrne, Berry Theatre, Hedge End review - musing on middle-age angst

Monday, 23 September 2019 Read more...

Count Arthur Strong, Leeds City Varieties review - stargazing and mangled syntax

Friday, 20 September 2019 Read more...

Brydon, Mack and Mitchell, Portsmouth Guildhall review - family-friendly fun

Tuesday, 17 September 2019 Read more...

Sofie Hagen, Soho Theatre review - sex weekend in Swansea, anyone?

Wednesday, 11 September 2019 Read more...

The Capture, BBC One review - gripping drama about the surveillance society

Wednesday, 04 September 2019 Read more...

High Society: Cannabis Café, Channel 4 review - pointless investigation into drug-taking

Wednesday, 04 September 2019 Read more...

Bartholomew Fair, Sam Wanamaker Playhouse review - Jonson's chaotic slice of 17th-century life

Friday, 30 August 2019 Read more...

Fleabag, Wyndham's Theatre review - superb swansong for modern classic

Thursday, 29 August 2019 Read more...

Sink or Swim, Channel 4 review - the Channel awaits for these celebrities

Wednesday, 28 August 2019 Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Weilerstein, NYO2, Payare / Dueñas, Malofeev, Edinburgh Inte...

NYO2 is a group of dazzlingly talented (and terrifyingly young-looking) 14-17 year olds from the USA, one of Carnegie Hall’s three national youth...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...

Album: Black Honey - Soak

The default setting for Brighton indie quartet Black Honey...

Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ★★★...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...

Alison Spittle, Monkey Barrel ★★★

Alison Spittle is fat, she tells us at the top of the show. But not as...

Blu-ray: Two Way Stretch / Heavens Above

The years between 1955’s The Ladykillers and 1964’s Dr Strangelove were the years of what Sanjeev Bhaskar recently described as...