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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

The Watsons, Menier Chocolate Factory review - Laura Wade's inventive new play

Tuesday, 01 October 2019 Read more...

Eddie Izzard, Brighton Dome review - splendidly surreal storytelling

Monday, 30 September 2019 Read more...

Ed Byrne, Berry Theatre, Hedge End review - musing on middle-age angst

Monday, 23 September 2019 Read more...

Count Arthur Strong, Leeds City Varieties review - stargazing and mangled syntax

Friday, 20 September 2019 Read more...

Brydon, Mack and Mitchell, Portsmouth Guildhall review - family-friendly fun

Tuesday, 17 September 2019 Read more...

Sofie Hagen, Soho Theatre review - sex weekend in Swansea, anyone?

Wednesday, 11 September 2019 Read more...

The Capture, BBC One review - gripping drama about the surveillance society

Wednesday, 04 September 2019 Read more...

High Society: Cannabis Café, Channel 4 review - pointless investigation into drug-taking

Wednesday, 04 September 2019 Read more...

Bartholomew Fair, Sam Wanamaker Playhouse review - Jonson's chaotic slice of 17th-century life

Friday, 30 August 2019 Read more...

Fleabag, Wyndham's Theatre review - superb swansong for modern classic

Thursday, 29 August 2019 Read more...

Sink or Swim, Channel 4 review - the Channel awaits for these celebrities

Wednesday, 28 August 2019 Read more...

The Affair series 5, Sky Atlantic review - a new cast member adds intrigue

Wednesday, 28 August 2019 Read more...

Edinburgh Fringe 2019 reviews: Jordan Brookes/ Catherine Cohen

Sunday, 25 August 2019 Read more...

Edinburgh Fringe 2019 reviews: The Red/ Gone Full Havisham

Saturday, 17 August 2019 Read more...

Edinburgh Fringe 2019 reviews: Alun Cochrane/ Sarah Keyworth/ Glenn Moore/ Sophie Duker

Friday, 16 August 2019 Read more...

Edinburgh Fringe 2019 reviews: Catherine Bohart / Matt Parker / Nigel Ng / Zoë Coombs Marr

Wednesday, 14 August 2019 Read more...

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Music Reissues Weekly: The Sonics - High Time

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This extract...

28 Years Later review - an unsentimental, undead education

The 23 years since 28 Days Later and especially those since Danny Boyle’s soulful encapsulation of Britain’s best spirit at the 2012...

RNCM International Diploma Artists, BBC Philharmonic, MediaC...

Two concerts in the BBC Philharmonic’s series in their own studio form the climax of studies at the Royal Northern College of Music for a small...

Prost, BBC 4 review - life and times of the driver they call...

With Brad Pitt’s much-trumpeted F1 movie about to screech noisily into the multiplexes, it’s not a bad time to be reminded of the career of one of...

Classical CDs: Bells, whistles and bowing techniques

 

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Album: Yungblud - Idols

Yungblud has declared his fourth album, Idols, to be a “a project with no limitations”. This is quite a claim.

So, what musical...

Monteverdi Choir, English Baroque Soloists, Suzuki, St Marti...

In the Saxony of 1725 – still in the grip of Europe’s “Little Ice Age” – Bach and his musicians would seldom have had to deal with the sort of...

Patrick Wolf, Rough Trade East review - the Kent-based bard...

After the evening’s second song “The Last of England,” Patrick Wolf cautions “I’ve got nothing left to say.” During the shows leading up to this...

4.48 Psychosis, Royal Court review - powerful but déjà vu

Sarah Kane is the most celebrated new writer of the 1990s. Her work is provocative and innovative. So it seems oddly unimaginative to mark the...