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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Angela Barnes, Blackheath Halls review - a pessimist turning the tables

Wednesday, 10 April 2019 Read more...

Aziz Ansari, Eventim Apollo review - show follows his #MeToo moment

Thursday, 04 April 2019 Read more...

Mo Amer and Guz Khan, Leicester Square Theatre review - racism examined from both sides of the Atlantic

Monday, 01 April 2019 Read more...

Showbands, BBC Four review - an Irish cultural phenomenon explained

Saturday, 16 March 2019 Read more...

Ed Gamble, The Stand review - amiable hour touching on personal issues

Friday, 15 March 2019 Read more...

Angry Alan, Soho Theatre review - superb monologue about the rise of 'meninism'

Monday, 11 March 2019 Read more...

Fleabag, Series 2 review - a standing ovation

Tuesday, 05 March 2019 Read more...

Lou Sanders, Soho Theatre review - shame put under the spotlight

Tuesday, 26 February 2019 Read more...

Cyprus Avenue, Royal Court Theatre review - Stephen Rea is utterly compelling

Wednesday, 20 February 2019 Read more...

Sheeps, Soho Theatre review - sketch comedy with a touch of the surreal

Tuesday, 19 February 2019 Read more...

Adam Riches Is The Guy Who..., Drink, Shop & Do review - super-suave Lothario on the prowl

Thursday, 07 February 2019 Read more...

Lost Voice Guy, Soho Theatre review - Britain's Got Talent winner finds the funny in disability

Monday, 28 January 2019 Read more...

When We Have Sufficiently Tortured Each Other, Dorfman Theatre review - Cate Blanchett's underwhelming debut at the National

Thursday, 24 January 2019 Read more...

Daniel Sloss, Leicester Square Theatre review - toxic masculinity examined

Monday, 21 January 2019 Read more...

James Acaster, Phoenix Theatre review - a masterclass in comedy

Wednesday, 16 January 2019 Read more...

Leicester Comedy Festival Gala Preview Show review - an entertaining mixed bag

Monday, 14 January 2019 Read more...

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'We are bowled over!' Thank you for your messages... ...
Good Night, Oscar, Barbican review - sad story of a Hollywoo...

Back in the day, when America’s late-night chat show hosts and their guests sat happily smoking as they shot the breeze for a growing...

Edinburgh Fringe 2025 reviews - Rob Auton / Saaniya Abbas

Rob Auton, Assembly Roxy ★★★...

BBC Proms: Láng, Cser, Budapest Festival Orchestra, Ivan Fis...

“Some are born to sweet delight, some are born to endless night,” quoth Blake. Beethoven and Bartók knew both...

Wilderness Festival 2025 review - seriously delirious escapi...

Wilderness is the kind of festival where you can overhear a conversation about the philosophical implications of rewilding whilst queuing...

Album: Ethel Cain - Willoughby Tucker, I'll Always Love...

This is a weird one: I do try and stay on top of pop culture, but for several years, Ethel Cain completely passed me by. You’d think I would have...

Weilerstein, NYO2, Payare / Dueñas, Malofeev, Edinburgh Inte...

NYO2 is a group of dazzlingly talented (and terrifyingly young-looking) 14-17 year olds from the USA, one of Carnegie Hall’s three national youth...

Edinburgh Fringe 2025 reviews - Monstering the Rocketman by...

Monstering the Rocketman by Henry Naylor, Pleasance Dome ★★...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...