fri 09/05/2025

Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Margaret Cho, Hen & Chickens Bristol review - sex and drugs, no holds barred

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Brakes review - dysfunctional relationships laid bare

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The Elvis Dead, Soho Theatre review - schlock horror told through Elvis songs

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Natalie Palamides, Soho Theatre review - delightful and disturbing show about motherhood

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John Bishop, O2 review - Everyman comedy with a hint of subversion

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Kerry Godliman, Touring review - affable and down-to-earth humour

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A Woman of No Importance, Vaudeville - Eve Best is superb as a woman scorned

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Mat Ewins, Soho Theatre review - multimedia show with twists in the tale

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Ahir Shah, Soho Theatre - a bravura response to Brexit vote

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Mae Martin, Soho Theatre review - life is a drug

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Richard III review - Temple Church venue is the star of the show

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Edinburgh Fringe 2017 reviews: Ingrid Oliver / Darren Harriott / Jayde Adams

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Edinburgh Fringe 2017 reviews: Hannah Gadsby / Suzi Ruffell / Ivo Graham / Athena Kugblenu

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Edinburgh Fringe 2017 reviews: Tom Allen / Cally Beaton / Lauren Pattison / Trumpageddon

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Edinburgh Fringe 2017 reviews: Kiri Pritchard-McLean / Dad's Army Radio Hour / Elliot Steel

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Edinburgh Fringe 2017 reviews: Tiff Stevenson / Jarlath Regan / Urzila Carlson

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Here We Are, National Theatre review - Sondheim's sensa...

You don't have to be greeting the modern day with a smile unsupported by events in the wider world to have a field day at Here We Are....

Riefenstahl review - fascinating fascism? Portrait of the Na...

There used to be an unwritten rule among BBC commissioners about how long an interval had to pass before greenlighting a new documentary on a...

Giant, Harold Pinter Theatre review - incendiary Roald Dahl...

When Mark Rosenblatt was preparing his debut play, the miseries of the assault on Gaza were still over the horizon. Now they are here,...

'Classic-era prog’s Olympian pinnacle': Pink Floyd...

Pink Floyd’s “Echoes”, the ineffable progressive rock epic that occupies side two of...

The Surfer review - Nicolas Cage is relentlessly down and ou...

“Don’t live here, don’t surf here,” is the menacing motto (sounds more scary with an Australian accent) of the tanned, muscular denizens of Luna...

Einkvan, Det Norske Teatret, The Coronet Theatre review - al...

Watching the stricken faces on the split screen, I felt at times like callow Farfrae in Hardy’s The Mayor of Casterbridge: when faced...

Desire: The Carl Craig Story review - a worthy, brand-consci...

Carl Craig (b.1969) is a leading Detroit electronic music producer and DJ whose Planet E Communications label has existed for over three decades....

Album: Sleep Token - Even In Arcadia

It has never been an exact science understanding when something will capture lightning in a bottle and go viral. Even less expected is for an...

The Trunk, Netflix review - stylish, noir-ish Korean drama w...

The trunk in the title is a luxury item, worth 50 million won – just north of £27,000 – shown sinking in deep water in the opening...