fri 08/08/2025
Home > users

Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

John Bishop, O2 review - Everyman comedy with a hint of subversion

Monday, 06 November 2017 Read more...

Kerry Godliman, Touring review - affable and down-to-earth humour

Friday, 20 October 2017 Read more...

A Woman of No Importance, Vaudeville - Eve Best is superb as a woman scorned

Tuesday, 17 October 2017 Read more...

Mat Ewins, Soho Theatre review - multimedia show with twists in the tale

Monday, 16 October 2017 Read more...

Ahir Shah, Soho Theatre - a bravura response to Brexit vote

Wednesday, 27 September 2017 Read more...

Mae Martin, Soho Theatre review - life is a drug

Tuesday, 19 September 2017 Read more...

Richard III review - Temple Church venue is the star of the show

Thursday, 31 August 2017 Read more...

Edinburgh Fringe 2017 reviews: Ingrid Oliver / Darren Harriott / Jayde Adams

Monday, 21 August 2017 Read more...

Edinburgh Fringe 2017 reviews: Hannah Gadsby / Suzi Ruffell / Ivo Graham / Athena Kugblenu

Thursday, 17 August 2017 Read more...

Edinburgh Fringe 2017 reviews: Tom Allen / Cally Beaton / Lauren Pattison / Trumpageddon

Tuesday, 15 August 2017 Read more...

Edinburgh Fringe 2017 reviews: Kiri Pritchard-McLean / Dad's Army Radio Hour / Elliot Steel

Monday, 14 August 2017 Read more...

Edinburgh Fringe 2017 reviews: Tiff Stevenson / Jarlath Regan / Urzila Carlson

Thursday, 10 August 2017 Read more...

Russell Brand, Touring review - grandiloquent performer in reflective mood

Friday, 30 June 2017 Read more...

Tristan & Yseult, Brighton Festival review - playful and inventive storytelling

Wednesday, 24 May 2017 Read more...

A Time to Live, BBC Two review - an exquisite legacy

Thursday, 18 May 2017 Read more...

Manwatching, Royal Court review - the vagina manologues

Tuesday, 16 May 2017 Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Good Night, Oscar, Barbican review - sad story of a Hollywoo...

Back in the day, when America’s late-night chat show hosts and their guests sat happily smoking as they shot the breeze for a growing...

Kolesnikov, Tsoy / Liu, NCPA Orchestra, Chung, Edinburgh Int...

Say what you like about this year’s slimmer-than-usual ...

Album: The Black Keys - No Rain, No Flowers

For a band who started by entirely self-producing their own records and performing in basements...

Edinburgh Fringe 2025 reviews - Rob Auton / Saaniya Abbas

Rob Auton, Assembly Roxy ★★★...

BBC Proms: Láng, Cser, Budapest Festival Orchestra, Ivan Fis...

“Some are born to sweet delight, some are born to endless night,” quoth Blake. Beethoven and Bartók knew both...

Wilderness Festival 2025 review - seriously delirious escapi...

Wilderness is the kind of festival where you can overhear a conversation about the philosophical implications of rewilding whilst queuing...

Album: Ethel Cain - Willoughby Tucker, I'll Always Love...

This is a weird one: I do try and stay on top of pop culture, but for several years, Ethel Cain completely passed me by. You’d think I would have...

Weilerstein, NYO2, Payare / Dueñas, Malofeev, Edinburgh Inte...

NYO2 is a group of dazzlingly talented (and terrifyingly young-looking) 14-17 year olds from the USA, one of Carnegie Hall’s three national youth...

Edinburgh Fringe 2025 reviews - Monstering the Rocketman by...

Monstering the Rocketman by Henry Naylor, Pleasance Dome ★★...