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Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

The Bisexual, Channel 4 review - joyless comedy drama

Thursday, 11 October 2018 Read more...

Ivo Graham, Soho Theatre review - the perils of growing up

Monday, 08 October 2018 Read more...

Nish Kumar, Soho Theatre review - the state we're in

Friday, 05 October 2018 Read more...

Black 47 review - a gripping and unusual drama

Thursday, 27 September 2018 Read more...

Katherine Ryan, Garrick Theatre review - feminism with extra sass

Friday, 21 September 2018 Read more...

The League of Gentlemen Live Again!, Sunderland Empire review - going local for local people

Tuesday, 28 August 2018 Read more...

Edinburgh Fringe 2018: Rose Matafeo review

Monday, 27 August 2018 Read more...

Edinburgh Fringe 2018 reviews: Rosie Jones/ Marcus Brigstocke/ Alice Snedden

Friday, 17 August 2018 Read more...

Edinburgh Fringe 2018: Luisa Omielan/ Brennan Reece/ Olga Koch

Wednesday, 15 August 2018 Read more...

Edinburgh Fringe 2018 reviews: Ari Shaffir/ Ashley Blaker/ Janeane Garofalo

Monday, 13 August 2018 Read more...

Edinburgh Fringe 2018 reviews: Alex Edelman/ Jayde Adams/ Kieran Hodgson

Friday, 10 August 2018 Read more...

Edinburgh Fringe 2018 reviews: Catherine Bohart / Norris & Parker / Pelican

Tuesday, 07 August 2018 Read more...

End of the Pier, Park Theatre review - thought-provoking play about comedy and race

Tuesday, 17 July 2018 Read more...

Flight of the Conchords review, Eventim Apollo - New Zealand musical spoofers make welcome return

Tuesday, 03 July 2018 Read more...

Bridget Christie, Brighton Festival review - politics through a domestic lens

Monday, 21 May 2018 Read more...

Sarah Kendall, Soho Theatre review - a superb storyteller

Thursday, 17 May 2018 Read more...

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'We are bowled over!' Thank you for your messages... ...
Album: Ethel Cain - Willoughby Tucker, I'll Always Love...

This is a weird one: I do try and stay on top of pop culture, but for several years, Ethel Cain completely passed me by. You’d think I would have...

Weilerstein, NYO2, Payare / Dueñas, Malofeev, Edinburgh Inte...

NYO2 is a group of dazzlingly talented (and terrifyingly young-looking) 14-17 year olds from the USA, one of Carnegie Hall’s three national youth...

Edinburgh Fringe 2025 reviews - Monstering the Rocketman by...

Monstering the Rocketman by Henry Naylor, Pleasance Dome ★★...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...

Album: Black Honey - Soak

The default setting for Brighton indie quartet Black Honey...

Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ★★★...