wed 06/08/2025
Home > users

Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Arthur Smith, Soho Theatre review - charming tribute to his father

Wednesday, 10 July 2019 Read more...

Noises Off, Lyric Hammersmith review - farce doesn't catch fire

Wednesday, 03 July 2019 Read more...

Mum, Series 3 finale, BBC Two review - superb comedy bows out

Thursday, 20 June 2019 Read more...

Frank Skinner, Leicester Square Theatre - mixing some acid with the charm

Monday, 17 June 2019 Read more...

CD: Madonna - Madame X

Thursday, 13 June 2019 Read more...

Spice Girls, Croke Park, Dublin review - uncomplicated fun

Saturday, 25 May 2019 Read more...

Emily Atack, Clapham Grand review - I'm a Celebrity... star's first solo show

Friday, 24 May 2019 Read more...

John McEnroe: In the Realm of Perfection review - a fascinating oddity

Wednesday, 22 May 2019 Read more...

Al Murray as the Pub Landlord, Embassy Theatre Skegness review - comic pulls his punches

Monday, 20 May 2019 Read more...

Seann Walsh, Broadway, Letchworth Garden City review - Strictly's bad boy tells his story

Friday, 10 May 2019 Read more...

Reginald D Hunter, Princes Hall Aldershot review - underpowered but the laughs come through

Monday, 06 May 2019 Read more...

Mark Thomas, BAC review - impassioned polemic about the NHS

Thursday, 25 April 2019 Read more...

Britney, Soho Theatre review - finding the funny in a brain tumour

Monday, 22 April 2019 Read more...

Tommy Tiernan, Shepherd's Bush Empire review - playful and poetic

Friday, 19 April 2019 Read more...

Angela Barnes, Blackheath Halls review - a pessimist turning the tables

Wednesday, 10 April 2019 Read more...

Aziz Ansari, Eventim Apollo review - show follows his #MeToo moment

Thursday, 04 April 2019 Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Weilerstein, NYO2, Payare / Dueñas, Malofeev, Edinburgh Inte...

NYO2 is a group of dazzlingly talented (and terrifyingly young-looking) 14-17 year olds from the USA, one of Carnegie Hall’s three national youth...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...

Album: Black Honey - Soak

The default setting for Brighton indie quartet Black Honey...

Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ★★★...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...

Alison Spittle, Monkey Barrel ★★★

Alison Spittle is fat, she tells us at the top of the show. But not as...

Blu-ray: Two Way Stretch / Heavens Above

The years between 1955’s The Ladykillers and 1964’s Dr Strangelove were the years of what Sanjeev Bhaskar recently described as...