sat 21/06/2025
Home > users

Veronica Lee

Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Edinburgh Fringe 2019 reviews: Phil Wang/ London Hughes/ Jack Gleadow/ Mr. Thing

Tuesday, 13 August 2019 Read more...

Edinburgh Fringe 2019 reviews: Joanne McNally/ The Crown Dual/ Maisie Adam/ James McNicholas/ Titania McGrath

Monday, 12 August 2019 Read more...

Edinburgh Fringe reviews 2019: On the Other Hand, We're Happy / Daughterhood / The Shark Is Broken

Saturday, 10 August 2019 Read more...

Edinburgh Fringe 2019 reviews: Clive Anderson / Goodbear

Friday, 09 August 2019 Read more...

Edinburgh Fringe 2019 reviews: Nick Helm/ Just These Please/ Anna Drezen

Thursday, 08 August 2019 Read more...

Edinburgh Fringe 2019 reviews: Josie Long / Snort / Sara Barron

Tuesday, 06 August 2019 Read more...

Edinburgh Fringe 2019 reviews: Ciaran Dowd/ Tom Parry/ Suzi Ruffell, Pleasance Courtyard

Monday, 05 August 2019 Read more...

Who Do You Think You Are? - Naomie Harris, BBC One review - shocks old and new

Tuesday, 30 July 2019 Read more...

k.d.lang, Brighton Dome review - superb revival of classic album

Wednesday, 17 July 2019 Read more...

Robin Ince, Soho Theatre review - fun among the chaos

Monday, 15 July 2019 Read more...

Jerry Seinfeld, Eventim Apollo review - slick and smart but curiously soulless

Saturday, 13 July 2019 Read more...

Arthur Smith, Soho Theatre review - charming tribute to his father

Wednesday, 10 July 2019 Read more...

Noises Off, Lyric Hammersmith review - farce doesn't catch fire

Wednesday, 03 July 2019 Read more...

Mum, Series 3 finale, BBC Two review - superb comedy bows out

Thursday, 20 June 2019 Read more...

Frank Skinner, Leicester Square Theatre - mixing some acid with the charm

Monday, 17 June 2019 Read more...

CD: Madonna - Madame X

Thursday, 13 June 2019 Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
28 Years Later review - an unsentimental, undead education

The 23 years since 28 Days Later and especially those since Danny Boyle’s soulful encapsulation of Britain’s best spirit at the 2012...

RNCM International Diploma Artists, BBC Philharmonic, MediaC...

Two concerts in the BBC Philharmonic’s series in their own studio form the climax of studies at the Royal Northern College of Music for a small...

Prost, BBC 4 review - life and times of the driver they call...

With Brad Pitt’s much-trumpeted F1 movie about to screech noisily into the multiplexes, it’s not a bad time to be reminded of the career of one of...

Classical CDs: Bells, whistles and bowing techniques

 

...

Album: Yungblud - Idols

Yungblud has declared his fourth album, Idols, to be a “a project with no limitations”. This is quite a claim.

So, what musical...

Monteverdi Choir, English Baroque Soloists, Suzuki, St Marti...

In the Saxony of 1725 – still in the grip of Europe’s “Little Ice Age” – Bach and his musicians would seldom have had to deal with the sort of...

Patrick Wolf, Rough Trade East review - the Kent-based bard...

After the evening’s second song “The Last of England,” Patrick Wolf cautions “I’ve got nothing left to say.” During the shows leading up to this...

4.48 Psychosis, Royal Court review - powerful but déjà vu

Sarah Kane is the most celebrated new writer of the 1990s. Her work is provocative and innovative. So it seems oddly unimaginative to mark the...

The Buccaneers, Apple TV+, Season 2 review - American advent...

Edith Wharton hadn’t finished her novel, The Buccaneers, when she died in 1937, but it was completed in 1993 by Marion Mainwaring. The...