sun 03/08/2025

Sarah Kent

Sarah Kent's picture
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Emily Kam Kngwarray, Tate Modern review - glimpses of another world

Read more...

Kiefer / Van Gogh, Royal Academy review - a pairing of opposites

Read more...

Jenny Saville: The Anatomy of Painting, National Portrait Gallery review - a protégé losing her way

Read more...

Abstract Erotic, Courtauld Gallery review - sculpture that is sensuous, funny and subversive

Read more...

Edward Burra, Tate Britain review - watercolour made mainstream

Read more...

Ithell Colquhoun, Tate Britain review - revelations of a weird and wonderful world

Read more...

Rachel Jones: Gated Canyons, Dulwich Picture Gallery review - teeth with a real bite

Read more...

Yoshitomo Nara, Hayward Gallery review - sickeningly cute kids

Read more...

Hamad Butt: Apprehensions, Whitechapel Gallery review - cool, calm and potentially lethal

Read more...

Bogancloch review - every frame a work of art

Read more...

The Last Musician of Auschwitz review - a haunting testament

Read more...

Do Ho Suh: Walk the House, Tate Modern review - memories are made of this

Read more...

Ed Atkins, Tate Britain review - hiding behind computer generated doppelgängers

Read more...

Hylozoic/Desires: Salt Cosmologies, Somerset House and The Hedge of Halomancy, Tate Britain review - the power of white powder

Read more...

Mickalene Thomas, All About Love, Hayward Gallery review - all that glitters

Read more...

Donald Rodney: Visceral Canker, Whitechapel Gallery review - absence made powerfully present

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Music Reissues Weekly: Chip Shop Pop - The Sound of Denmark...

One of the more interesting tracks on Paul Weller’s fascinating new cover versions album Find El Dorado is his interpretation of “When...

theartsdesk at the Three Choirs Festival - Passion in the Ca...

“Powerful, Timeless, Inspiring” it says on the front cover of the programme-book for this year’s supposedly 297th Three Choirs Festival at...

Natalia Ginzburg: The City and the House review - a dying ar...

Many readers and writers think of epistolary novels as old-fashioned, just as letter writing itself can seem a bit quaint nowadays. The genre...

Album: Mansur Brown - Rihla

I like to think I’m open to most things, but even so I never thought that I’d be getting an education in prog metal in the summer of 2025. Let...

BBC Proms: Estonian Philharmonic Chamber Choir, Kaljuste rev...

Arvo Pärt was into his 40s before he made had his Big Musical Idea: simplicity. He has spent the subsequent half-century pursuing this ideal,...

Top Hat, Chichester Festival Theatre review - top spectacle...

After 76 years, you’d have thought they could’ve come up with a better story! Okay, that’s a cheap jibe and, given the elusive...

Late Shift review - life and death in an understaffed Swiss...

Floria (the superb Leonie Benesch: The Crown; The Teachers’ Lounge; September 5) is a nurse, working the severely understaffed...

Edinburgh Fringe 2025 reviews: Alright Sunshine / K Mak at t...

Alright Sunshine, Pleasance Dome ...

The Naked Gun review - farce, slapstick and crass stupidity

The original Naked Gun series (spun off from the Police Squad! TV show) brought reliable belly-laughs to the Eighties and...