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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

David Hockney / Michael Armitage, Royal Academy review - painting with an iPad vs brushes and paint

Saturday, 22 May 2021 Read more...

Eileen Agar, Whitechapel Gallery review - a free spirit to the end

Thursday, 20 May 2021 Read more...

The Human Voice review - an intense half-hour that pulls no punches

Wednesday, 19 May 2021 Read more...

Stray review - a delightful portrait of a dog named Zeytin

Saturday, 27 March 2021 Read more...

Sing Me a Song review - beautiful but devastatingly sad

Friday, 08 January 2021 Read more...

Lynette Yiadom-Boakye, Tate Britain review - enigmatic figures full of life

Wednesday, 16 December 2020 Read more...

Tracey Emin / Edvard Munch, Royal Academy review - juxtapositions that confuse rather than clarify

Tuesday, 15 December 2020 Read more...

Zanele Muholi, Tate Modern review - photography as protest

Wednesday, 02 December 2020 Read more...

One Man and His Shoes review - beautifully crafted, fast-paced documentary

Saturday, 24 October 2020 Read more...

Sin, National Gallery review - great subject, modest show

Friday, 09 October 2020 Read more...

Bruce Nauman, Tate Modern review - the human condition writ large in neon

Tuesday, 06 October 2020 Read more...

Hendrix and the Spook review - a search for clarity in murky waters

Saturday, 19 September 2020 Read more...

Léon Spilliaert, Royal Academy review - a maudlin exploration of solitude

Tuesday, 10 March 2020 Read more...

Among the Trees, Hayward Gallery review - a mixture of euphoria and dismay

Saturday, 07 March 2020 Read more...

Nicolaes Maes: Dutch Master of the Golden Age, National Gallery review – beautifully observed vignettes

Thursday, 05 March 2020 Read more...

Push review – lifting the lid on the housing crisis

Wednesday, 26 February 2020 Read more...

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If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

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Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

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Sarah Silverman, Netflix Special review - finding the funny...

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A look at Darling on its 60th anniversary offers a sobering reality check on the "...