wed 18/06/2025
Home > users

Sarah Kent

Sarah Kent's picture
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

The Ugly Duchess: Beauty and Satire in the Renaissance, National Gallery review - put in context, a much-loved picture reveals its complexity

Thursday, 16 March 2023 Read more...

Mike Nelson: Extinction Beckons, Hayward Gallery review - spooky installations by a master of detail

Tuesday, 28 February 2023 Read more...

Peter Doig, Courtauld Gallery review - the good, the bad and the unfinished

Thursday, 16 February 2023 Read more...

Action Gesture Paint, Whitechapel Gallery review - a revelation and an inspiration

Tuesday, 14 February 2023 Read more...

Town of Strangers review - a whimsical foray into the meaning of home

Wednesday, 08 February 2023 Read more...

Best of 2022: Visual Arts

Wednesday, 28 December 2022 Read more...

Magdalena Abakanowicz, Tate Modern review - a forest of huge and imposing presences

Friday, 18 November 2022 Read more...

Making Modernism, Royal Academy review - a welcome if confusing intro to seven lesser known artists

Saturday, 12 November 2022 Read more...

William Kentridge, Royal Academy review - from art to theatre, and back again

Monday, 24 October 2022 Read more...

Lucian Freud: New Perspectives, National Gallery review - a powerful punch in the gut

Wednesday, 05 October 2022 Read more...

Remote review - an irredeemably silly first feature

Saturday, 01 October 2022 Read more...

Hallyu! The Korean Wave, V&A review - frenetic but fun

Tuesday, 27 September 2022 Read more...

Marina Abramović: Gates and Portals, Modern Art Oxford and Pitt Rivers Museum review - transcendence lite

Monday, 26 September 2022 Read more...

Winslow Homer: Force of Nature, National Gallery review - dump the symbolism and enjoy the drama

Tuesday, 20 September 2022 Read more...

Carolee Schneeman: Body Politics, Barbican review - challenging, in-your-face and messy

Thursday, 15 September 2022 Read more...

The Fire of Love review - awe-inspiring footage of volcanoes marred by sentimental narration

Saturday, 30 July 2022 Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...

Sarah Silverman, Netflix Special review - finding the funny...

Death can be a powerful driver for comedy...

Blu-ray: Darling

A look at Darling on its 60th anniversary offers a sobering reality check on the "...