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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Manchester International Festival exhibitions review - a new arts centre puts Manchester firmly on the cultural map

Thursday, 06 July 2023 Read more...

Hello, Bookstore review - a documentary with shelf life

Wednesday, 28 June 2023 Read more...

Carrie Mae Weems: Reflections for Now, Barbican review - going from strength to strength on an epic journey

Monday, 26 June 2023 Read more...

Dear Earth: Art and Hope in a Time of Crisis, Hayward Gallery review - hope is what we need, but inspiration is a rarity

Thursday, 22 June 2023 Read more...

Life is More Important than Art, Whitechapel Gallery review - themes of arrival, belonging and departure unite fascinating mixed show

Wednesday, 21 June 2023 Read more...

Capturing the Moment, Tate Modern review - the glorious power of painting

Thursday, 15 June 2023 Read more...

Sarah Sze: Metronome, Artangel at Peckham Rye station review - an installation of visual complexity and physical simplicity

Thursday, 18 May 2023 Read more...

The Dam review - a remarkably haunting allegory

Sunday, 07 May 2023 Read more...

Isaac Julien: What Freedom is to Me, Tate Britain review - a journey from making documentaries to making art

Thursday, 04 May 2023 Read more...

Berg review - a glorious visual meditation on the mountains of Slovenia

Friday, 28 April 2023 Read more...

Little Richard: I am Everything review - a riveting account of 'the brightest star in the universe'

Thursday, 27 April 2023 Read more...

Hilma af Klint & Piet Mondrian: Forms of Life, Tate Modern review - the hidden depths of abstract art revealed

Wednesday, 26 April 2023 Read more...

Ai Weiwei: Making Sense, Design Museum review - a deep sense of loss permeates this show

Tuesday, 11 April 2023 Read more...

Berthe Morisot: Shaping Impressionism, Dulwich Picture Gallery review - lightning speed brushwork by an Impressionist maestro

Tuesday, 04 April 2023 Read more...

Antidote review - two films in one that lose sight of their message

Monday, 27 March 2023 Read more...

After Impressionism: Inventing Modern Art, National Gallery review - an impressive tour de force

Saturday, 25 March 2023 Read more...

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'We are bowled over!' Thank you for your messages... ...
The Midnight Bell, Sadler's Wells review - A first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...