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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Snow Leopard review - clunky visual effects mar a director's swansong

Saturday, 23 November 2024 Read more...

ARK: United States V by Laurie Anderson, Aviva Studios, Manchester review - a vessel for the thoughts and imaginings of a lifetime

Saturday, 16 November 2024 Read more...

Vanessa Bell, MK Gallery review - diving into and out of abstraction

Tuesday, 22 October 2024 Read more...

The Last of the Sea Women review - a moving tale of feisty traditional divers

Saturday, 12 October 2024 Read more...

Lygia Clark: The I and the You, Sonia Boyce: An Awkward Relation, Whitechapel Gallery review - breaking boundaries

Thursday, 10 October 2024 Read more...

Mike Kelley: Ghost and Spirit, Tate Modern review - adolescent angst indefinitely extended

Wednesday, 09 October 2024 Read more...

Monet and London, Courtauld Gallery review - utterly sublime smog

Friday, 04 October 2024 Read more...

Michael Craig-Martin, Royal Academy review - from clever conceptual art to digital decor

Wednesday, 25 September 2024 Read more...

Van Gogh: Poets & Lovers, National Gallery review - passions translated into paint

Saturday, 14 September 2024 Read more...

Peter Kennard: Archive of Dissent, Whitechapel Gallery review - photomontages sizzling with rage

Tuesday, 30 July 2024 Read more...

Dominique White: Deadweight, Whitechapel Gallery review - sculptures that seem freighted with history

Monday, 29 July 2024 Read more...

The Echo review - a beautiful but confusing look at life in a Mexican village

Friday, 26 July 2024 Read more...

Heart of an Oak review - an adventure film starring a tree and its inhabitants

Friday, 05 July 2024 Read more...

In the Eye of the Storm: Modernism in Ukraine 1900-1930s, Royal Academy review - famous avant-garde Russian artists who weren't Russian after all

Wednesday, 03 July 2024 Read more...

Francis Alÿs: Ricochets, Barbican review - fun for the kids, yet I was moved to tears

Friday, 28 June 2024 Read more...

Gavin Jantjes: To Be Free, Whitechapel Gallery review - a sweet and sour response to horrific circumstances

Wednesday, 19 June 2024 Read more...

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Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

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A look at Darling on its 60th anniversary offers a sobering reality check on the "...