wed 06/08/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Servant, Apple TV+ review - shocks, shivers and black humour in missing-baby saga

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Finding Alice, ITV review - thriller, comedy or melodrama?

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Spiral, Series 8, BBC Four review - dark days in the City of Light

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Steve McQueen: The Lost Movie, Sky Documentaries review - the classic motor racing film that never was

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The Great, Channel 4 review - Russian history gets a whirl in the fictional blender

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Bridgerton, Netflix review - bodice-ripper cliches recycled in Regency romp

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All Creatures Great and Small: Christmas Special, Channel 5 review - big and little dramas in the Dales

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Let Him Go review - melancholy family drama morphs into ferocious thriller

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Wonder Woman 1984 review - be careful what you wish for

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Mosul, Netflix review - gruelling story of Iraq's Nineveh SWAT team

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Tin Star: Liverpool, Sky Atlantic review - massed mayhem on Merseyside

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Coronation Street: 60 Unforgettable Years, ITV review - inside story of the world's longest-running TV soap

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Host review - Zoom seance triggers unspeakable consequences

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The Dambusters, Channel 5 review - yet another telling of the Bouncing Bomb story

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County Lines review - a scary descent into drug-dealer purgatory

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The Undoing, Series Finale, Sky Atlantic review - bluff and double-bluff as the truth is revealed

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latest in today

'We are bowled over!' Thank you for your messages... ...
Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...

Album: Black Honey - Soak

The default setting for Brighton indie quartet Black Honey...

Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...

Alison Spittle, Monkey Barrel ★★★

Alison Spittle is fat, she tells us at the top of the show. But not as...

Blu-ray: Two Way Stretch / Heavens Above

The years between 1955’s The Ladykillers and 1964’s Dr Strangelove were the years of what Sanjeev Bhaskar recently described as...

Make It Happen, Edinburgh International Festival 2025 review...

You could distinctly hear the murmurs of recognition from the Edinburgh audience – responding to knowing mentions of the city’s Leith and...