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Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Army of the Dead review - triumphant return to zombieland by director Zack Snyder

Wednesday, 19 May 2021 Read more...

The Underground Railroad, Amazon Prime review - a horrifying ride through America's heart of darkness

Monday, 17 May 2021 Read more...

The Woman in the Window review - hitching a ride with Hitch

Saturday, 15 May 2021 Read more...

Domina, Sky Atlantic review - a little less conversation, a little more action required

Saturday, 15 May 2021 Read more...

Danny Boy, BBC Two review - when law and war collide

Thursday, 13 May 2021 Read more...

Crosby, Stills, Nash and Young: Déjà Vu 50th Anniversary Deluxe Edition

Tuesday, 11 May 2021 Read more...

Line of Duty, Series 6 Finale, BBC One review - crafty ending leaves wriggle room for a sequel

Monday, 03 May 2021 Read more...

Intergalactic, Sky One review - lovely CGI, shame about the drama

Saturday, 01 May 2021 Read more...

Viewpoint, ITV review - the perils of the peeping tom police

Wednesday, 28 April 2021 Read more...

Line of Duty, Series 6, Episode 6, BBC One review - the pace accelerates for AC-12's final countdown

Monday, 26 April 2021 Read more...

Mare of Easttown, Sky Atlantic review - Kate Winslet shines in finely-drawn Pennsylvania mystery

Tuesday, 20 April 2021 Read more...

Promising Young Woman, Sky Cinema review - Emerald Fennell's brilliant directorial debut

Monday, 19 April 2021 Read more...

Bent Coppers: Crossing the Line of Duty, BBC Two review - when crime paid handsomely for corrupt officers

Thursday, 15 April 2021 Read more...

Too Close, ITV review - capable cast struggles with unrewarding material

Wednesday, 14 April 2021 Read more...

Sound of Metal review - hidden depths behind the decibels

Thursday, 08 April 2021 Read more...

Intruder, Channel 5 review - implausible but watchable

Wednesday, 07 April 2021 Read more...

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'We are bowled over!' Thank you for your messages... ...
Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...

Sarah Silverman, Netflix Special review - finding the funny...

Death can be a powerful driver for comedy...

Blu-ray: Darling

A look at Darling on its 60th anniversary offers a sobering reality check on the "...