sun 03/08/2025

Adam Sweeting

Adam Sweeting's picture
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Framing Britney Spears, Sky Documentaries review - the rollercoaster ride of the former teen icon

Read more...

Physical, Apple TV+ review - too much pain, not enough gain

Read more...

Loki, Disney+ review - the God of Mischief gets his own TV series

Read more...

Lupin, Part 2, Netflix review - master of disguise versus racists and lies

Read more...

Nobody review - Bob Odenkirk reinvents himself as all-action dynamo

Read more...

The Beast Must Die, Britbox review - a crime story which plumbs psychological depths

Read more...

Time, BBC One review - grim and gritty study of life behind bars by Jimmy McGovern

Read more...

Mare of Easttown, Season Finale, Sky Atlantic review - great performances in a town called malice

Read more...

Before We Die, Channel 4 review - Lesley Sharp excels as a detective in crisis

Read more...

Cruella review - fabulous fashions, creaky narrative

Read more...

Those Who Wish Me Dead review - Angelina Jolie battles baddies and blazes in Montana

Read more...

We Are Lady Parts, Channel 4 review - female Muslim punk band rocks the house

Read more...

Army of the Dead review - triumphant return to zombieland by director Zack Snyder

Read more...

The Underground Railroad, Amazon Prime review - a horrifying ride through America's heart of darkness

Read more...

The Woman in the Window review - hitching a ride with Hitch

Read more...

Domina, Sky Atlantic review - a little less conversation, a little more action required

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Edinburgh Fringe 2025 reviews: I'm Ready To Talk Now /...

I’m Ready to Talk Now, Traverse Theatre ...

Music Reissues Weekly: Chip Shop Pop - The Sound of Denmark...

One of the more interesting tracks on Paul Weller’s fascinating new cover versions album Find El Dorado is his interpretation of “When...

theartsdesk at the Three Choirs Festival - Passion in the Ca...

“Powerful, Timeless, Inspiring” it says on the front cover of the programme-book for this year’s supposedly 297th Three Choirs Festival at...

Natalia Ginzburg: The City and the House review - a dying ar...

Many readers and writers think of epistolary novels as old-fashioned, just as letter writing itself can seem a bit quaint nowadays. The genre...

Album: Mansur Brown - Rihla

I like to think I’m open to most things, but even so I never thought that I’d be getting an education in prog metal in the summer of 2025. Let...

BBC Proms: Estonian Philharmonic Chamber Choir, Kaljuste rev...

Arvo Pärt was into his 40s before he made had his Big Musical Idea: simplicity. He has spent the subsequent half-century pursuing this ideal,...

Top Hat, Chichester Festival Theatre review - top spectacle...

After 76 years, you’d have thought they could’ve come up with a better story! Okay, that’s a cheap jibe and, given the elusive...

Late Shift review - life and death in an understaffed Swiss...

Floria (the superb Leonie Benesch: The Crown; The Teachers’ Lounge; September 5) is a nurse, working the severely understaffed...

Edinburgh Fringe 2025 reviews: Alright Sunshine / K Mak at t...

Alright Sunshine, Pleasance Dome ...