wed 06/08/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Drive to Survive, Season 3, Netflix review - the agony and the ecstasy of the 2020 F1 campaign

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The One, Netflix review - the downside of scientific matchmaking

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Grace, ITV review - sun, sea and skulduggery in sunny Brighton

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Unforgotten, Series 4, ITV review - is the familiar formula wearing thin?

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The Terror, BBC Two review - nightmare in the Arctic wastes

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Your Honor, Sky Atlantic review - Bryan Cranston suffers fear and loathing in New Orleans

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Billie Eilish: The World's a Little Blurry, Apple TV+ review - sprawling account of the singer's rise to superstardom

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Bloodlands, BBC One review - ghosts of the Troubles return to poison the present

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Whirlybird: Live Above LA - Storyville, BBC Four review - rise and fall of the first couple of airborne TV news

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ZeroZeroZero, Sky Atlantic review - how drug money makes the world go round

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The Drowning, Channel 5 review - unbelievable

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Spiral, Series 8 Finale, BBC Four review - justice is done in stormy climactic episodes

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Assassins review - unravelling the bizarre death of Kim Jong-nam

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The Dig, Netflix review - a haunting exploration of time and timelessness

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Marcella, Series 3, ITV review - Anna Friel returns as the defective detective

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Call My Agent!, Series 4, Netflix review - the final bow for the Parisian showbiz saga?

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'We are bowled over!' Thank you for your messages... ...
Weilerstein, NYO2, Payare / Dueñas, Malofeev, Edinburgh Inte...

NYO2 is a group of dazzlingly talented (and terrifyingly young-looking) 14-17 year olds from the USA, one of Carnegie Hall’s three national youth...

Edinburgh Fringe 2025 reviews - Monstering the Rocketman by...

Monstering the Rocketman by Henry Naylor, Pleasance Dome ★...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...

Album: Black Honey - Soak

The default setting for Brighton indie quartet Black Honey...

Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...

Alison Spittle, Monkey Barrel ★★★

Alison Spittle is fat, she tells us at the top of the show. But not as...