wed 18/06/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Queen Elizabeth and the Spy in the Palace, Channel 4 review - how the Fourth Man burrowed deep into the British Establishment

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Keeping Faith, Series 3, BBC One review - is the drama turning to melodrama?

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Line of Duty, Series 6, BBC One review - fasten your seatbelts, it's back

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Drive to Survive, Season 3, Netflix review - the agony and the ecstasy of the 2020 F1 campaign

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The One, Netflix review - the downside of scientific matchmaking

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Grace, ITV review - sun, sea and skulduggery in sunny Brighton

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Unforgotten, Series 4, ITV review - is the familiar formula wearing thin?

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The Terror, BBC Two review - nightmare in the Arctic wastes

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Your Honor, Sky Atlantic review - Bryan Cranston suffers fear and loathing in New Orleans

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Billie Eilish: The World's a Little Blurry, Apple TV+ review - sprawling account of the singer's rise to superstardom

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Bloodlands, BBC One review - ghosts of the Troubles return to poison the present

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Whirlybird: Live Above LA - Storyville, BBC Four review - rise and fall of the first couple of airborne TV news

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ZeroZeroZero, Sky Atlantic review - how drug money makes the world go round

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The Drowning, Channel 5 review - unbelievable

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Spiral, Series 8 Finale, BBC Four review - justice is done in stormy climactic episodes

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Assassins review - unravelling the bizarre death of Kim Jong-nam

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Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

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If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Blu-ray: Darling

A look at Darling on its 60th anniversary offers a sobering reality check on the "...