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Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

The Gold, Series 2, BBC One review - back on the trail of the Brink's-Mat bandits

Monday, 09 June 2025 Read more...

Dept. Q, Netflix review - Danish crime thriller finds a new home in Edinburgh

Monday, 02 June 2025 Read more...

The Rise and Fall of Michelle Mone, BBC Two - boom and bust in the lingerie trade

Thursday, 29 May 2025 Read more...

The Phoenician Scheme review - further adventures in the idiosyncratic world of Wes Anderson

Friday, 23 May 2025 Read more...

Mission: Impossible - The Final Reckoning review - can this really be the end for Ethan Hunt?

Thursday, 22 May 2025 Read more...

The Bombing of Pan Am 103, BBC One review - new dramatisation of the horrific Lockerbie terror attack

Monday, 19 May 2025 Read more...

theartsdesk Q&A: Zoë Telford on playing a stressed-out psychiatrist in ITV's 'Malpractice'

Friday, 16 May 2025 Read more...

Malpractice, ITV1, Series 2 review - fear and loathing in the psychiatric unit

Tuesday, 06 May 2025 Read more...

Fake, ITV1 review - be careful what you wish for

Sunday, 04 May 2025 Read more...

Formula E: Driver, Prime Video review - inside the world's first zero-carbon sport

Saturday, 03 May 2025 Read more...

The Accountant 2 review - belated return of Ben Affleck's lethal bean-counter

Friday, 25 April 2025 Read more...

Flintoff, Disney+ review - tumultuous life and times of the great all-rounder

Thursday, 24 April 2025 Read more...

Neil Young: Coastal review - the old campaigner gets back on the trail

Saturday, 19 April 2025 Read more...

Your Friends & Neighbors, Apple TV+ review - in every dream home a heartache

Monday, 14 April 2025 Read more...

The Amateur review - revenge of the nerd

Friday, 11 April 2025 Read more...

MobLand, Paramount+ review - more guns, goons and gangsters from Guy Ritchie

Friday, 04 April 2025 Read more...

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'We are bowled over!' Thank you for your messages... ...
Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...

Sarah Silverman, Netflix Special review - finding the funny...

Death can be a powerful driver for comedy...

Blu-ray: Darling

A look at Darling on its 60th anniversary offers a sobering reality check on the "...

Pulp, O2 Arena review - common people like us

Jarvis Cocker is proudly holding the No 1 trophy handed to him on the day Pulp topped the album chart for the first time in 27 years with More...

Mazeppa, Grange Park Opera review - a gripping reassessment

Tchaikovsky has precisely two operas in the standard repertoire (including The Queen of Spades, currently playing at Garsington), and...