wed 17/09/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Spinal Tap II: The End Continues review - comedy rock band fails to revive past glories

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The Guest, BBC One review - be careful what you wish for

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King & Conqueror, BBC One review - not many kicks in 1066

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Hostage, Netflix review - entente not-too-cordiale

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In Flight, Channel 4 review - drugs, thugs and Bulgarian gangsters

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Alien: Earth, Disney+ review - was this interstellar journey really necessary?

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The Count of Monte Cristo, U&Drama review - silly telly for the silly season

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The Naked Gun review - farce, slapstick and crass stupidity

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The Narrow Road to the Deep North, BBC One review - love, death and hell on the Burma railway

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The Waterfront, Netflix review - fish, drugs and rock'n'roll

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Ballard, Prime Video review - there's something rotten in the LAPD

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Bookish, U&Alibi review - sleuthing and skulduggery in a bomb-battered London

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Insomnia, Channel 5 review - a chronicle of deaths foretold

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Live Aid at 40: When Rock'n'Roll Took on the World, BBC Two review - how Bob Geldof led pop's battle against Ethiopian famine

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Hill, Sky Documentaries review - how Damon Hill battled his demons

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Jurassic World Rebirth review - prehistoric franchise gets a new lease of life

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Album: The Divine Comedy - Rainy Sunday Afternoon

Neil Hannon has been recording and touring as the Divine Comedy since 1989 and has tried a fair few flavours along the way, from chamber pop to...

The Producers, Garrick Theatre review - Ve haf vays of makin...

Unexpectedly, there’s a sly reference to James Joyce’s Ulysses interpolated into Act One (in case we hadn’t caught the not...

Lammermuir Festival 2025, Part 2 review - from the soaringly...

My colleague Boyd Tonkin visited the Lammermuir Festival for the first time this year. His eyes and ears have been opened to its treasures, but...

Frances Wilson: Electric Spark - The Enigma of Muriel Spark...

How do you tell the story of a person’s mind? In the preface to Electric Spark: The Enigma of Muriel Spark, published this year by...

Blu-ray: The Sons of Great Bear

Westerns had long been popular with German cinema audiences, some of the most successful being early 1960s West German adaptations of novels by...

Spinal Tap II: The End Continues review - comedy rock band f...

That difficult second documentary – or if you will, “rockumentary” – seems to have been especially challenging for...

Tosca, Welsh National Opera review - a great company reduced...

So it’s come to this: WNO’s autumn season reduced to two operas, a Tosca borrowed from Opera North and a revival of their own Candide...

Not Your Superwoman, Bush Theatre review - powerful tribute...

The Bush is likely to continue its fine recent run of hit plays, with this funny, poignant, culturally authentic and beautifully acted two-hander...

Music Reissues Weekly: Robyn - Robyn 20th-Anniversary Editio...

Sometimes, record labels don’t like what those on their roster have recorded. Such was the case with BMG Sweden and Robin Carlsson who, as Robyn,...