sat 02/08/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Rivals, Disney+ review - adultery, skulduggery and political incorrectness

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London Film Festival 2024 - Daniel Craig, Amy Adams, Twiggy, Christopher Reeve and some snails

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London Film Festival 2024 - the Vatican, the Blitz, a trip to Poland and a surfin' nightmare

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The Hardacres, Channel 5 review - a fishy tale of upward mobility

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Joan, ITV1 review - the roller-coaster career of a 1980s jewel thief

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The Penguin, Sky Atlantic review - power, corruption, lies and prosthetics

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Nightsleeper, BBC One review - strangers on a runaway train

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The Perfect Couple, Netflix review - an inconvenient death ruins lavish Nantucket wedding

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The Third Man rides again - 75th anniversary of Carol Reed's noir classic

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Slow Horses, Season 4, Apple TV+ review - Gary Oldman returns as the 'gross and inappropriate' Jackson Lamb

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theartsdesk Q&A: David Morrissey on (among other things) the return of 'Sherwood' and 'Daddy Issues'

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Sherwood, Series 2, BBC One review - maybe time isn't such a great healer

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Widow Clicquot review - Haley Bennett stars as the First Lady of champagne

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Freddie Flintoff: Field of Dreams on Tour, BBC One review - a passage to India with the Preston irregulars

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Hollywoodgate review - on tour with the Taliban

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The Instigators, Apple TV+ review - Matt Damon and Casey Affleck are back on the Beantown beat

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latest in today

'We are bowled over!' Thank you for your messages... ...
theartsdesk at the Three Choirs Festival - Passion in the Ca...

“Powerful, Timeless, Inspiring” it says on the front cover of the programme-book for this year’s supposedly 297th Three Choirs Festival at...

Natalia Ginzburg: The City and the House review - a dying ar...

Many readers and writers think of epistolary novels as old-fashioned, just as letter writing itself can seem a bit quaint nowadays. The genre...

Album: Mansur Brown - Rihla

I like to think I’m open to most things, but even so I never thought that I’d be getting an education in prog metal in the summer of 2025. Let...

BBC Proms: Estonian Philharmonic Chamber Choir, Kaljuste rev...

Arvo Pärt was into his 40s before he made had his Big Musical Idea: simplicity. He has spent the subsequent half-century pursuing this ideal,...

Top Hat, Chichester Festival Theatre review - top spectacle...

After 76 years, you’d have thought they could’ve come up with a better story! Okay, that’s a cheap jibe and, given the elusive...

Late Shift review - life and death in an understaffed Swiss...

Floria (the superb Leonie Benesch: The Crown; The Teachers’ Lounge; September 5) is a nurse, working the severely understaffed...

Edinburgh Fringe 2025 reviews: Alright Sunshine / K Mak at t...

Alright Sunshine, Pleasance Dome ...

The Naked Gun review - farce, slapstick and crass stupidity

The original Naked Gun series (spun off from the Police Squad! TV show) brought reliable belly-laughs to the Eighties and...

Album: Reneé Rapp - Bite Me

The stage musical update of Mean Girls, and the film adaptation, pushed Reneé Rapp into the public eye. She played queen bitch Regina...