sat 02/08/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Murder Is Easy, BBC One review - was this journey really necessary?

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Mad About the Boy: the Noël Coward Story, BBC Two review - the making of The Master

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A Ghost Story for Christmas: Lot No 249, BBC Two review - mummy's boy unleashes hell in the halls of academe

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The Heist Before Christmas, Sky Max review - the Santa Claus wars

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Blood Coast, Netflix review - mayhem in Marseille

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Vigil, Series 2, BBC One review - DCI Silva swaps a submarine for deadly drones

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Kin, BBC One review - in Dublin's not-so-fair city

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Boat Story, BBC One review - once upon a time in Yorkshire

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Napoleon review - Sir Ridley Scott's historical epic is wide but not deep

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Brawn: The Impossible Formula 1 Story, Disney+ review - classic underdog tale of the little team that could

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Shetland, Series 8, BBC One review - same place but a different programme

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Robbie Williams, Netflix review - tormented superstar bares his soul

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Fellow Travellers, Paramount+ review - four-decade saga of power, politics and gay love

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Rock Hudson: All That Heaven Allowed review - the closeted life of a Hollywood great

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London Film Festival 2023 - movies in a musical vein

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Frasier, Paramount+ review - he's back! But should he be?

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latest in today

'We are bowled over!' Thank you for your messages... ...
theartsdesk at the Three Choirs Festival - Passion in the Ca...

“Powerful, Timeless, Inspiring” it says on the front cover of the programme-book for this year’s supposedly 297th Three Choirs Festival at...

Natalia Ginzburg: The City and the House review - a dying ar...

Many readers and writers think of epistolary novels as old-fashioned, just as letter writing itself can seem a bit quaint nowadays. The genre...

Album: Mansur Brown - Rihla

I like to think I’m open to most things, but even so I never thought that I’d be getting an education in prog metal in the summer of 2025. Let...

BBC Proms: Estonian Philharmonic Chamber Choir, Kaljuste rev...

Arvo Pärt was into his 40s before he made had his Big Musical Idea: simplicity. He has spent the subsequent half-century pursuing this ideal,...

Top Hat, Chichester Festival Theatre review - top spectacle...

After 76 years, you’d have thought they could’ve come up with a better story! Okay, that’s a cheap jibe and, given the elusive...

Late Shift review - life and death in an understaffed Swiss...

Floria (the superb Leonie Benesch: The Crown; The Teachers’ Lounge; September 5) is a nurse, working the severely understaffed...

Edinburgh Fringe 2025 reviews: Alright Sunshine / K Mak at t...

Alright Sunshine, Pleasance Dome ...

The Naked Gun review - farce, slapstick and crass stupidity

The original Naked Gun series (spun off from the Police Squad! TV show) brought reliable belly-laughs to the Eighties and...

Album: Reneé Rapp - Bite Me

The stage musical update of Mean Girls, and the film adaptation, pushed Reneé Rapp into the public eye. She played queen bitch Regina...