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Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Special Ops: Lioness, Paramount+ review - high-octane female cast conducts war on terror

Wednesday, 26 July 2023 Read more...

Oppenheimer review - epic and enthralling study of 'the father of the atomic bomb'

Thursday, 20 July 2023 Read more...

World on Fire, Series 2, BBC One - return of Peter Bowker's panoramic view of World War Two

Tuesday, 18 July 2023 Read more...

Disturbing Disappearances, More4 review - headstrong 'tec tackles Pied Piper mystery

Saturday, 15 July 2023 Read more...

Bruce Springsteen and the E Street Band, BST Hyde Park review - Saturday in the park with Bruce

Sunday, 09 July 2023 Read more...

Tom Clancy's Jack Ryan, Season 4, Prime Video review - final outing for John Krasinski's CIA hero

Tuesday, 04 July 2023 Read more...

Hijack, Apple TV+ review - trapped at 40,000 feet with a bunch of armed thugs

Thursday, 29 June 2023 Read more...

Spiral of Lies, Channel 4 review - bodies, fibs and bad karma in Biarritz

Tuesday, 27 June 2023 Read more...

Turn of the Tide, Netflix review - cocaine madness comes to the Azores

Saturday, 24 June 2023 Read more...

No Hard Feelings review - nothing about this queasy comedy feels quite right

Thursday, 22 June 2023 Read more...

Best Interests, BBC One review - a family feels the unbearable strain of terminal illness

Tuesday, 13 June 2023 Read more...

Chevalier review - a less than extraordinary film about an extraordinary man

Friday, 09 June 2023 Read more...

Hypnotic review - a riotously enjoyable thriller

Sunday, 28 May 2023 Read more...

Inland review - a cracked mosaic of memories, impressions and lurking anxiety

Wednesday, 24 May 2023 Read more...

Ten Pound Poms, BBC One review - a new life in the Great Southern Land

Monday, 15 May 2023 Read more...

A different angle on the Anne Frank story in 'A Small Light'

Wednesday, 03 May 2023 Read more...

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'We are bowled over!' Thank you for your messages... ...
Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...

Sarah Silverman, Netflix Special review - finding the funny...

Death can be a powerful driver for comedy...

Blu-ray: Darling

A look at Darling on its 60th anniversary offers a sobering reality check on the "...

Pulp, O2 Arena review - common people like us

Jarvis Cocker is proudly holding the No 1 trophy handed to him on the day Pulp topped the album chart for the first time in 27 years with More...

Mazeppa, Grange Park Opera review - a gripping reassessment

Tchaikovsky has precisely two operas in the standard repertoire (including The Queen of Spades, currently playing at Garsington), and...