wed 17/09/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Brawn: The Impossible Formula 1 Story, Disney+ review - classic underdog tale of the little team that could

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Shetland, Series 8, BBC One review - same place but a different programme

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Robbie Williams, Netflix review - tormented superstar bares his soul

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Fellow Travellers, Paramount+ review - four-decade saga of power, politics and gay love

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Rock Hudson: All That Heaven Allowed review - the closeted life of a Hollywood great

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London Film Festival 2023 - movies in a musical vein

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Frasier, Paramount+ review - he's back! But should he be?

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Reckoning with the Jimmy Savile legacy - Steve Coogan stars in BBC One's four-part 'factual drama'

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BlackBerry review - the nerds versus The Man

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The Continental, Prime Video - welcome to the expanding John Wick universe

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Expend4bles review - last ride for the over-the-hill gang?

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Top Boy, Season 5, Netflix review - grime and punishment

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AngelHeaded Hipster: The Songs of Marc Bolan and T Rex review - musical doc falls between two stools

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Who Is Erin Carter?, Netflix review - secrets and ultra-violence under the Catalan sun

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The Following Events Are Based on a Pack of Lies, BBC One - deliciously bingeable drama from the Skinner sisters

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Harlan Coben's Shelter, Prime Video review - what the hell is going on in Kasselton, New Jersey?

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Album: The Divine Comedy - Rainy Sunday Afternoon

Neil Hannon has been recording and touring as the Divine Comedy since 1989 and has tried a fair few flavours along the way, from chamber pop to...

The Producers, Garrick Theatre review - Ve haf vays of makin...

Unexpectedly, there’s a sly reference to James Joyce’s Ulysses interpolated into Act One (in case we hadn’t caught the not...

Lammermuir Festival 2025, Part 2 review - from the soaringly...

My colleague Boyd Tonkin visited the Lammermuir Festival for the first time this year. His eyes and ears have been opened to its treasures, but...

Frances Wilson: Electric Spark - The Enigma of Muriel Spark...

How do you tell the story of a person’s mind? In the preface to Electric Spark: The Enigma of Muriel Spark, published this year by...

Blu-ray: The Sons of Great Bear

Westerns had long been popular with German cinema audiences, some of the most successful being early 1960s West German adaptations of novels by...

Spinal Tap II: The End Continues review - comedy rock band f...

That difficult second documentary – or if you will, “rockumentary” – seems to have been especially challenging for...

Tosca, Welsh National Opera review - a great company reduced...

So it’s come to this: WNO’s autumn season reduced to two operas, a Tosca borrowed from Opera North and a revival of their own Candide...

Not Your Superwoman, Bush Theatre review - powerful tribute...

The Bush is likely to continue its fine recent run of hit plays, with this funny, poignant, culturally authentic and beautifully acted two-hander...

Music Reissues Weekly: Robyn - Robyn 20th-Anniversary Editio...

Sometimes, record labels don’t like what those on their roster have recorded. Such was the case with BMG Sweden and Robin Carlsson who, as Robyn,...