sat 02/08/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Stewart, Sky Documentaries review - touching and insightful portrait of Scottish race ace

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Happy Valley, Series 3, BBC One review - tension mounts as the Yorkshire crime drama approaches its conclusion

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Stonehouse, ITV review - history repeats itself as farce

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Doc Martin Christmas Special, ITV review - Santa comes to Portwenn as the final curtain falls

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All Creatures Great and Small Christmas Special, Channel 5 review - life during wartime with the Yorkshire vets

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Wildcat review - damaged war veteran reborn in the Peruvian jungle

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Adam Sweeting's Top 10 Films of 2022

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Harry & Meghan, Netflix review - at home with the Harkles

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George & Tammy, Paramount+ review - alcohol, violence and heartache in Nashville

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Tokyo Vice, BBC One review - murder, extortion and corruption in the Japanese capital

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1899, Netflix review - Atlantic voyage turns into cosmic nightmare

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The English, BBC Two review - Emily Blunt's date with destiny on the prairies

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The Crown, Season 5, Netflix review - is the royal epic outstaying its welcome?

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SAS Rogue Heroes, BBC One review - rock'n'roll desert warfare from the pen of Steven Knight

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The Banshees of Inisherin review - stellar turns from Brendan Gleason and Colin Farrell

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All Creatures Great and Small, Series 3 finale, Channel 5 review - revived vet show still strikes a popular note

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latest in today

'We are bowled over!' Thank you for your messages... ...
theartsdesk at the Three Choirs Festival - Passion in the Ca...

“Powerful, Timeless, Inspiring” it says on the front cover of the programme-book for this year’s supposedly 297th Three Choirs Festival at...

Natalia Ginzburg: The City and the House review - a dying ar...

Many readers and writers think of epistolary novels as old-fashioned, just as letter writing itself can seem a bit quaint nowadays. The genre...

Album: Mansur Brown - Rihla

I like to think I’m open to most things, but even so I never thought that I’d be getting an education in prog metal in the summer of 2025. Let...

BBC Proms: Estonian Philharmonic Chamber Choir, Kaljuste rev...

Arvo Pärt was into his 40s before he made had his Big Musical Idea: simplicity. He has spent the subsequent half-century pursuing this ideal,...

Top Hat, Chichester Festival Theatre review - top spectacle...

After 76 years, you’d have thought they could’ve come up with a better story! Okay, that’s a cheap jibe and, given the elusive...

Late Shift review - life and death in an understaffed Swiss...

Floria (the superb Leonie Benesch: The Crown; The Teachers’ Lounge; September 5) is a nurse, working the severely understaffed...

Edinburgh Fringe 2025 reviews: Alright Sunshine / K Mak at t...

Alright Sunshine, Pleasance Dome ...

The Naked Gun review - farce, slapstick and crass stupidity

The original Naked Gun series (spun off from the Police Squad! TV show) brought reliable belly-laughs to the Eighties and...

Album: Reneé Rapp - Bite Me

The stage musical update of Mean Girls, and the film adaptation, pushed Reneé Rapp into the public eye. She played queen bitch Regina...