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Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Fatal Attraction, Paramount+ review - Adrian Lyne's bunny-boiler blockbuster expanded onwards and outwards

Tuesday, 02 May 2023 Read more...

Citadel, Prime Video review - did Amazon really pay $300m for this?

Sunday, 30 April 2023 Read more...

The Diplomat, Netflix review - can London's new American ambassador prevent World War Three?

Saturday, 29 April 2023 Read more...

Malpractice, ITV1 review - she got into a mess on the NHS

Monday, 24 April 2023 Read more...

How To Blow Up a Pipeline review - can eco-terrorism be justified?

Friday, 21 April 2023 Read more...

Why Didn't They Ask Evans?, ITV1 review - Agatha Christie gets a tense and twisty reworking by Hugh Laurie

Monday, 10 April 2023 Read more...

Magpie Murders, BBC One review - zinging TV adaptation of Anthony Horowitz's bestseller

Saturday, 08 April 2023 Read more...

Rabbit Hole, Paramount+ review - sabotage, subterfuge and corporate skulduggery

Monday, 03 April 2023 Read more...

Villeneuve Pironi: Racing's Untold Tragedy, Sky Documentaries review - a macabre slice of motor racing mythology

Saturday, 01 April 2023 Read more...

John Wick: Chapter 4 review - is this the El Cid of shoot-'em-up movies?

Saturday, 25 March 2023 Read more...

Infinity Pool review - it's like The White Lotus on bad acid

Friday, 24 March 2023 Read more...

Play Dead review - chills, thrills and stolen body parts

Thursday, 16 March 2023 Read more...

Endeavour: The Final Episode, ITV1 review - the final bow for Oxford's finest

Wednesday, 15 March 2023 Read more...

MH370: The Plane That Disappeared, Netflix review - a field day for conspiracy theorists

Friday, 10 March 2023 Read more...

Daisy Jones & The 6, Amazon Prime review - hit rock'n'roll novel doesn't make great TV

Monday, 06 March 2023 Read more...

Liaison, Apple TV+ review - tangly Franglais thriller presses some hot buttons

Thursday, 02 March 2023 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...

Sarah Silverman, Netflix Special review - finding the funny...

Death can be a powerful driver for comedy...

Blu-ray: Darling

A look at Darling on its 60th anniversary offers a sobering reality check on the "...

Pulp, O2 Arena review - common people like us

Jarvis Cocker is proudly holding the No 1 trophy handed to him on the day Pulp topped the album chart for the first time in 27 years with More...

Mazeppa, Grange Park Opera review - a gripping reassessment

Tchaikovsky has precisely two operas in the standard repertoire (including The Queen of Spades, currently playing at Garsington), and...