sat 02/08/2025

Adam Sweeting

Adam Sweeting's picture
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Bruce Springsteen and the E Street Band, BST Hyde Park review - Saturday in the park with Bruce

Read more...

Tom Clancy's Jack Ryan, Season 4, Prime Video review - final outing for John Krasinski's CIA hero

Read more...

Hijack, Apple TV+ review - trapped at 40,000 feet with a bunch of armed thugs

Read more...

Spiral of Lies, Channel 4 review - bodies, fibs and bad karma in Biarritz

Read more...

Turn of the Tide, Netflix review - cocaine madness comes to the Azores

Read more...

No Hard Feelings review - nothing about this queasy comedy feels quite right

Read more...

Best Interests, BBC One review - a family feels the unbearable strain of terminal illness

Read more...

Chevalier review - a less than extraordinary film about an extraordinary man

Read more...

Hypnotic review - a riotously enjoyable thriller

Read more...

Inland review - a cracked mosaic of memories, impressions and lurking anxiety

Read more...

Ten Pound Poms, BBC One review - a new life in the Great Southern Land

Read more...

A different angle on the Anne Frank story in 'A Small Light'

Read more...

Fatal Attraction, Paramount+ review - Adrian Lyne's bunny-boiler blockbuster expanded onwards and outwards

Read more...

Citadel, Prime Video review - did Amazon really pay $300m for this?

Read more...

The Diplomat, Netflix review - can London's new American ambassador prevent World War Three?

Read more...

Malpractice, ITV1 review - she got into a mess on the NHS

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
theartsdesk at the Three Choirs Festival - Passion in the Ca...

“Powerful, Timeless, Inspiring” it says on the front cover of the programme-book for this year’s supposedly 297th Three Choirs Festival at...

Natalia Ginzburg: The City and the House review - a dying ar...

Many readers and writers think of epistolary novels as old-fashioned, just as letter writing itself can seem a bit quaint nowadays. The genre...

Album: Mansur Brown - Rihla

I like to think I’m open to most things, but even so I never thought that I’d be getting an education in prog metal in the summer of 2025. Let...

BBC Proms: Estonian Philharmonic Chamber Choir, Kaljuste rev...

Arvo Pärt was into his 40s before he made had his Big Musical Idea: simplicity. He has spent the subsequent half-century pursuing this ideal,...

Top Hat, Chichester Festival Theatre review - top spectacle...

After 76 years, you’d have thought they could’ve come up with a better story! Okay, that’s a cheap jibe and, given the elusive...

Late Shift review - life and death in an understaffed Swiss...

Floria (the superb Leonie Benesch: The Crown; The Teachers’ Lounge; September 5) is a nurse, working the severely understaffed...

Edinburgh Fringe 2025 reviews: Alright Sunshine / K Mak at t...

Alright Sunshine, Pleasance Dome ...

The Naked Gun review - farce, slapstick and crass stupidity

The original Naked Gun series (spun off from the Police Squad! TV show) brought reliable belly-laughs to the Eighties and...

Album: Reneé Rapp - Bite Me

The stage musical update of Mean Girls, and the film adaptation, pushed Reneé Rapp into the public eye. She played queen bitch Regina...