sat 02/08/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

A Real Pain review - Jesse Eisenberg and Kieran Culkin take a Holocaust tour of Poland

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Lockerbie: A Search for Truth, Sky Atlantic review - Colin Firth stars in gruelling dramatisation of the 1988 terror attack

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SAS Rogue Heroes, Series 2, BBC One review - Paddy Mayne's renegade warriors invade Italy

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All Creatures Great and Small, Christmas Special, Channel 5 review - Mrs Hall steps into the spotlight

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Death in Paradise Christmas Special, BBC One review - who killed Santa Claus?

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Queer review - Daniel Craig meets William Burroughs

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Black Doves, Netflix review - Keira Knightley and Ben Whishaw battle against the implausible

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Nightbitch review - Mother's life as a dog

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Conclave review - secrets and lies in the Vatican's inner sanctum

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Senna, Netflix review - the life and legend of Brazil's greatest driver

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Landman, Paramount+ review - once upon a time in the West

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Gladiator II review - can lightning strike twice?

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Paris Has Fallen, Prime Video review - Afghan war veteran wreaks a terrible vengeance

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The Day of the Jackal, Sky Atlantic review - Frederick Forsyth's assassin gets a modern-day makeover

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Road Diary: Bruce Springsteen and the E Street Band, Disney+ review - the Boss grows older defiantly

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London Film Festival 2024 - Angelina Jolie does Maria Callas

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'We are bowled over!' Thank you for your messages... ...
theartsdesk at the Three Choirs Festival - Passion in the Ca...

“Powerful, Timeless, Inspiring” it says on the front cover of the programme-book for this year’s supposedly 297th Three Choirs Festival at...

Natalia Ginzburg: The City and the House review - a dying ar...

Many readers and writers think of epistolary novels as old-fashioned, just as letter writing itself can seem a bit quaint nowadays. The genre...

Album: Mansur Brown - Rihla

I like to think I’m open to most things, but even so I never thought that I’d be getting an education in prog metal in the summer of 2025. Let...

BBC Proms: Estonian Philharmonic Chamber Choir, Kaljuste rev...

Arvo Pärt was into his 40s before he made had his Big Musical Idea: simplicity. He has spent the subsequent half-century pursuing this ideal,...

Top Hat, Chichester Festival Theatre review - top spectacle...

After 76 years, you’d have thought they could’ve come up with a better story! Okay, that’s a cheap jibe and, given the elusive...

Late Shift review - life and death in an understaffed Swiss...

Floria (the superb Leonie Benesch: The Crown; The Teachers’ Lounge; September 5) is a nurse, working the severely understaffed...

Edinburgh Fringe 2025 reviews: Alright Sunshine / K Mak at t...

Alright Sunshine, Pleasance Dome ...

The Naked Gun review - farce, slapstick and crass stupidity

The original Naked Gun series (spun off from the Police Squad! TV show) brought reliable belly-laughs to the Eighties and...

Album: Reneé Rapp - Bite Me

The stage musical update of Mean Girls, and the film adaptation, pushed Reneé Rapp into the public eye. She played queen bitch Regina...