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Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

A Complete Unknown review - how does it feel?

Friday, 17 January 2025 Read more...

What's the Matter with Tony Slattery?, BBC Two review - absorbing but troubling search for answers

Wednesday, 15 January 2025 Read more...

American Primeval, Netflix review - nightmare on the Wild Frontier

Monday, 13 January 2025 Read more...

Maria review - Pablo Larraín's haunting portrait of an opera legend

Friday, 10 January 2025 Read more...

A Real Pain review - Jesse Eisenberg and Kieran Culkin take a Holocaust tour of Poland

Wednesday, 08 January 2025 Read more...

Lockerbie: A Search for Truth, Sky Atlantic review - Colin Firth stars in gruelling dramatisation of the 1988 terror attack

Friday, 03 January 2025 Read more...

SAS Rogue Heroes, Series 2, BBC One review - Paddy Mayne's renegade warriors invade Italy

Wednesday, 01 January 2025 Read more...

All Creatures Great and Small, Christmas Special, Channel 5 review - Mrs Hall steps into the spotlight

Tuesday, 24 December 2024 Read more...

Death in Paradise Christmas Special, BBC One review - who killed Santa Claus?

Monday, 23 December 2024 Read more...

Queer review - Daniel Craig meets William Burroughs

Friday, 13 December 2024 Read more...

Black Doves, Netflix review - Keira Knightley and Ben Whishaw battle against the implausible

Tuesday, 10 December 2024 Read more...

Nightbitch review - Mother's life as a dog

Friday, 06 December 2024 Read more...

Conclave review - secrets and lies in the Vatican's inner sanctum

Saturday, 30 November 2024 Read more...

Senna, Netflix review - the life and legend of Brazil's greatest driver

Friday, 29 November 2024 Read more...

Landman, Paramount+ review - once upon a time in the West

Thursday, 28 November 2024 Read more...

Gladiator II review - can lightning strike twice?

Sunday, 17 November 2024 Read more...

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Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...

Sarah Silverman, Netflix Special review - finding the funny...

Death can be a powerful driver for comedy...

Blu-ray: Darling

A look at Darling on its 60th anniversary offers a sobering reality check on the "...

Pulp, O2 Arena review - common people like us

Jarvis Cocker is proudly holding the No 1 trophy handed to him on the day Pulp topped the album chart for the first time in 27 years with More...

Mazeppa, Grange Park Opera review - a gripping reassessment

Tchaikovsky has precisely two operas in the standard repertoire (including The Queen of Spades, currently playing at Garsington), and...