sat 02/08/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Drive to Survive, Season 7, Netflix review - speed, scandal and skulduggery in the pitlane

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A Cruel Love: The Ruth Ellis Story, ITV1 review - powerful dramatisation of the 1955 case that shocked the public

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Bergerac, U&Drama review - the Jersey 'tec is born again after 34 years

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A Thousand Blows, Disney+ review - Peaky Blinders comes to Ripper Street?

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Zero Day, Netflix review - can ex-President Robert De Niro save the Land of the Free?

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Hacks, Season 3, NOW review - acerbic showbiz comedy keeps up the good work

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Surviving Black Hawk Down, Netflix review - the real story behind Ridley Scott's Oscar-winner

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Vietnam: The War That Changed America, Apple TV+ review - painful and poignant stories from a terrible conflict

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Brian and Maggie, Channel 4 review - Thatcherism's date with TV destiny

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Flight Risk review - the sky's the limit for Michelle Dockery and Mark Wahlberg

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Prime Target, Apple TV+ review - the appliance of science

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Out There, ITV1 review - drugs and thugs disfigure the Welsh landscape

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A Complete Unknown review - how does it feel?

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What's the Matter with Tony Slattery?, BBC Two review - absorbing but troubling search for answers

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American Primeval, Netflix review - nightmare on the Wild Frontier

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Maria review - Pablo Larraín's haunting portrait of an opera legend

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latest in today

'We are bowled over!' Thank you for your messages... ...
theartsdesk at the Three Choirs Festival - Passion in the Ca...

“Powerful, Timeless, Inspiring” it says on the front cover of the programme-book for this year’s supposedly 297th Three Choirs Festival at...

Natalia Ginzburg: The City and the House review - a dying ar...

Many readers and writers think of epistolary novels as old-fashioned, just as letter writing itself can seem a bit quaint nowadays. The genre...

Album: Mansur Brown - Rihla

I like to think I’m open to most things, but even so I never thought that I’d be getting an education in prog metal in the summer of 2025. Let...

BBC Proms: Estonian Philharmonic Chamber Choir, Kaljuste rev...

Arvo Pärt was into his 40s before he made had his Big Musical Idea: simplicity. He has spent the subsequent half-century pursuing this ideal,...

Top Hat, Chichester Festival Theatre review - top spectacle...

After 76 years, you’d have thought they could’ve come up with a better story! Okay, that’s a cheap jibe and, given the elusive...

Late Shift review - life and death in an understaffed Swiss...

Floria (the superb Leonie Benesch: The Crown; The Teachers’ Lounge; September 5) is a nurse, working the severely understaffed...

Edinburgh Fringe 2025 reviews: Alright Sunshine / K Mak at t...

Alright Sunshine, Pleasance Dome ...

The Naked Gun review - farce, slapstick and crass stupidity

The original Naked Gun series (spun off from the Police Squad! TV show) brought reliable belly-laughs to the Eighties and...

Album: Reneé Rapp - Bite Me

The stage musical update of Mean Girls, and the film adaptation, pushed Reneé Rapp into the public eye. She played queen bitch Regina...