wed 18/06/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Prodigal Son, Sky 1 review - meet Michael Sheen, psycho killer

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Our Baby: A Modern Miracle, Channel 4 review - trailblazing couple's amazing journey

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Laurel Canyon, Sky Documentaries review - musical bliss in lotus land

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Piranhas review - riding with the teenage gangs of Naples

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The Real Eastenders, Channel 4 review - timewarp on the Thames

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The Plot Against America, Sky Atlantic review - fascism comes to 1940s USA

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The Rise of the Murdoch Dynasty, BBC Two review - how the Aussie tycoon acquired huge political leverage

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Litigante review - an unflashy film which rings true

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Mrs America, BBC Two review - how a conservative revolutionary scuppered the Equal Rights Amendment

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The Choir: Singing for Britain Finale, BBC Two review - stirring songs from a garden shed

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The Battle of Britain, Channel 5 review - 80th anniversary of the RAF's finest hour

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The Kemps: All True, BBC Two review - more self-promotion than self-mockery

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Penny Dreadful: City of Angels, Sky Atlantic review - the good, the bad and the unspeakable

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Das Boot, Series 2 Finale, Sky Atlantic review - deeper and darker

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The Hidden Wilds of the Motorway, BBC Four review - mysteries and marvels of the M25

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The Choir: Singing for Britain, BBC Two review - the pandemic versus the power of song

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'We are bowled over!' Thank you for your messages... ...
Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Blu-ray: Darling

A look at Darling on its 60th anniversary offers a sobering reality check on the "...