thu 19/06/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

I Know This Much Is True, Sky Atlantic review - riding a carousel of catastrophe

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The Last Kingdom, Season 4, Netflix review - blood, guts and dirty politics

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Rob and Romesh vs Ballet, Sky 1 review - unlikely lads throw themselves in as bait

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The A Word, Series 3, BBC One review - Christopher Eccleston steals the show

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Blood, Series 2, Channel 5 review - expertly-crafted thriller turns the screw

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Paul Hollywood Eats Japan, Channel 4 review - Mr Bake Off gets culture shock

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The Village, ITV review - the weird and wonderful micro-climate of Portmeirion

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Van der Valk, ITV review - can the Dutch detective make a successful comeback?

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Gangs of London, Sky Atlantic review - bloody terrifying

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The Truth about Amazon, Channel 4 review - buyer beware

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A Country Life for Half the Price, Channel 5 review - Essex couple Sam and Lucy become rural entrepreneurs

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DVD: The Year of the Sex Olympics

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Earth and Blood, Netflix review - tense and broody thriller ultimately falls short

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Quiz, ITV review - cheats never prosper. Well, hardly ever

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Believe Me: The Cyprus Rape Case, ITV review - British teenager’s holiday from hell

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Prue Leith: Journey with My Daughter, Channel 4 review - an emotional journey into the past

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'We are bowled over!' Thank you for your messages... ...
The Buccaneers, Apple TV+, Season 2 review - American advent...

Edith Wharton hadn’t finished her novel, The Buccaneers, when she died in 1937, but it was completed in 1993 by Marion Mainwaring. The...

The Midnight Bell, Sadler's Wells review - a first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...