thu 19/06/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Dracula, BBC One review - horrific, and not in a good way

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The Gentlemen review - it ain't woke but don't fix it

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Dame Edna Rules the Waves / The Graham Norton Show, BBC One review - two ways to run a talk show

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The Trial of Christine Keeler, BBC One review - famous sex scandal makes uneven drama

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Martin's Close, BBC Four review - where did the scary bits go?

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Cinderella: After Ever After, Sky 1 review - preposterous fairytale sequel tweaks the funny bone

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A Christmas Carol, BBC One review – Dickens classic recast as gruelling horror story

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The Brexit Storm Continues: Laura Kuenssberg's Inside Story, BBC Two review - rehashed political history fails to set pulses racing

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Charles I: Killing a King, BBC Four review - sad stories of the death of kings

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Sons of Denmark review - political thriller stirs cauldron of hot-button issues

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Traces, Alibi review - pedigree cast battles implausible plot

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How They Built the Titanic, Channel 5 review - the great liner revisited again, but why now?

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Giri/Haji, Series Finale, BBC Two review - a thriller, but much more besides

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The Family Secret, Channel 4 review - lives destroyed by historic sexual abuse

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Takaya: Lone Wolf, BBC Four review - enigmatic predator baffles boffins

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Tutankhamun with Dan Snow, Channel 5 review - too many presenters spoil Egyptian boy-king doc

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latest in today

'We are bowled over!' Thank you for your messages... ...
The Midnight Bell, Sadler's Wells review - a first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...