sat 28/06/2025

Theatre Reviews

The Sweet Science of Bruising, Southwark Playhouse review - boxing clever

aleks Sierz

There are not that many plays about sport, but, whether you gamble on results or not, you can bet that most of them are about boxing. And often set in the past.

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Sketching, Wilton's Music Hall, review - less a dynamic babble than a disconsolate babel

Rachel Halliburton

It sounds like a marriage made in heaven. Charles Dickens and James Graham – both great chroniclers of the ambitions, hypocrisies, and eccentricities of their respective ages – have been brought together to tell London’s story through irreverent portraits of its high life and low life.

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Pack of Lies, Menier Chocolate Factory review - suburban spy story

aleks Sierz

We do love our spy stories, don't we? The idea of betrayal, both political and personal, seems to be a strong part of our national identity. And so is telling stories based on real events. Playwright Hugh Whitemore, who died in July, based his Pack of Lies on the Portland spy ring, a secret Soviet operation which was active from the late 1950s until 1961.

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Every Day I Make Greatness Happen, Hampstead Theatre Downstairs review - live-wire immediacy

Rachel Halliburton

"I’m not a number, I’m not a grade, and I’m not a failure." The 17-year-old girl stands in front of the small class, who gaze at her goggle-eyed. "A robot factory. That’s all you’ve got here." The teacher’s response is caustically admiring. "Why are you here, Alisha, if that’s what you’re capable of?

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Pinter at the Pinter, Harold Pinter Theatre review - harrowing and comic short pieces from the master

Heather Neill

Ten years after Harold Pinter's death, Jamie Lloyd has set about honouring the 20th century's outstanding British playwright in an ambitious West End season of his shorter works at the theatre which now bears his name.

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Antony and Cleopatra, National Theatre review - Ralph Fiennes in marvellous throttle

Tom Birchenough

You always wonder about those final scenes of Shakespeare’s tragedies. Are they really needed dramatically; do they work? We understand, of course, that a closing exhalation may add impact to high passions just witnessed.

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Twelfth Night, Royal Lyceum Theatre, Edinburgh - a touch too sweet

David Kettle

“Well, that was really sweet,” one young audience member in front of me remarked on his way out of Edinburgh’s Lyceum Theatre.

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Poet in da Corner, Royal Court review - mind-blowing energy plus plus plus

aleks Sierz

There was once a time when grime music was very angry, and very threatening, but that seems a long time ago now. Today, Dizzee Rascal is less a herald of riot and revolt, and more of a national treasure, exuding charm from every pore, even if his music has become increasing predictable and safe.

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Eyam, Shakespeare's Globe review - plague drama, dark and loose

Tom Birchenough

The end-of-season contemporary writing slot at the Globe must be a proposal as full of promise for playwrights as it is perhaps intimidating.

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Henry V, Tobacco Factory Theatres, Bristol review - the pity of war

mark Kidel

Henry V is a play shot through with martial energy and the terrible chaos of war.

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Pages

Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.


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