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Heather Neill

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Bio
Heather Neill is a critic and theatre writer. She was Arts Editor of The Times Educational Supplement and has contributed features to The Times, Telegraph and theatre programmes. She reviews for The Stage, interviews for theatrevoice.com and has been a judge of the Offies and the Theatre Book Prize and an assessor for NT Connections.

Articles By Heather Neill

In Praise of Love, Orange Tree Theatre review - subdued production of Rattigan's study of loving concealment

Wednesday, 04 June 2025 Read more...

The Tempest, Theatre Royal, Drury Lane review - Sigourney Weaver's impassive Prospero inhabits an atmospheric, desolate world

Friday, 20 December 2024 Read more...

Twelfth Night, Orange Tree Theatre review - perfectly pitched sad and merry musical mayhem

Saturday, 30 November 2024 Read more...

Juno and the Paycock, Gielgud Theatre review - a shockingly original centenary revival of O'Casey's tragi-comedy

Monday, 07 October 2024 Read more...

Being Mr Wickham, Jermyn Street Theatre review - the plausible, charming roué gives his version of events 30 years on

Tuesday, 11 June 2024 Read more...

Boys from the Blackstuff, National Theatre review - a lyrical, funny, affecting variation on a television classic

Thursday, 30 May 2024 Read more...

Twelfth Night, Regent's Park Open Air Theatre review - burlesque overwhelms the darker notes in this mixed revival

Friday, 10 May 2024 Read more...

Underdog: the Other, Other Brontë, National Theatre review - enjoyably comic if caricatured sibling rivalry

Friday, 05 April 2024 Read more...

Red Pitch, @sohoplace review - the ebullient tale of teenage footballers gets a rollicking transfer

Friday, 22 March 2024 Read more...

The Enfield Haunting, Ambassadors Theatre review - muddled revisiting of famous paranormal events

Friday, 12 January 2024 Read more...

The Homecoming, Young Vic Theatre review - Pinter's disturbing masterpiece is given a low-key revival

Wednesday, 06 December 2023 Read more...

She Stoops to Conquer, Orange Tree Theatre review - much-loved classic rumbustiously updated

Thursday, 23 November 2023 Read more...

Private Lives, Ambassador's Theatre review - classy revival lacking physical excess

Thursday, 14 September 2023 Read more...

The Lehman Trilogy, Gillian Lynne Theatre review - a modern classic exuberantly revived

Friday, 10 February 2023 Read more...

As You Like It, @sohoplace review - music-filled, warm-hearted celebration

Friday, 16 December 2022 Read more...

Antigone, Regent's Park Open Air Theatre review - Sophocles rewritten with purpose and panache

Wednesday, 14 September 2022 Read more...

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This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

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If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...

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A look at Darling on its 60th anniversary offers a sobering reality check on the "...