Theatre Reviews
The Merry Wives of Windsor, RSC, Barbican review - panto ShakespeareThursday, 13 December 2018
For those of us who have never thought much before about links between pantomime and Shakespeare, Fiona Laird’s new Merry Wives offers a chance to see how the combination works. Read more... |
The Double Dealer, Orange Tree Theatre review - high spirits and low moralsWednesday, 12 December 2018
It's been 40 years since The Double Dealer last had a major airing (indeed, perhaps any airing) in London, so on the basis of novelty value alone, the Orange Tree's end-of-year offering is worth our attention. But as always with Restoration comedy, Congreve's 1693 story of romantic skulduggery and misalliance poses a basic problem: how do you make sense of a byzantine plot characteristic of the genre? Read more... |
Aladdin, Hackney Empire review - Clive Rowe returns as the DameMonday, 10 December 2018
Susie McKenna and Steven Edis have been creating pantos for Hackney Empire for 20 years, and over that time its seasonal offering has become the theatre's signature event. Read more... |
Nine Night, Trafalgar Studios review - hilarity and heartbreakFriday, 07 December 2018
This is Natasha Gordon’s first play, and in it she has created an entire world. A world of grief and laughter, conflict and closeness. Read more... |
A Christmas Carol, Old Vic review - Dickens adaptation returns, depth and mince pies intactFriday, 07 December 2018
The Old Vic's revival of its successful Christmas Carol first seen this time last year had me at the mince pies: they were served before curtain up by a Bob Cratchit figure while we admired the shoal of Victorian lanterns lighting the way over a cross-shaped stage that cuts the audience into quarters. Read more... |
Doctor Faustus, Sam Wanamaker Theatre review - female Faustus reaps rich rewardsFriday, 07 December 2018
What do you gain by casting Dr Faustus and Mephistopheles as women? In the programme for this often illuminating production, director Pauline Randall declares, “There’s always a rather intimidating, institutional question of ‘why’ when it comes to these decisions, and especially when it comes to handling a classical text. Read more... |
True West, Vaudeville Theatre review - sizzling take on seminal Sam ShepardThursday, 06 December 2018
Don't be deceived by Kit Harington's matted, slicked-back hair that is immediately visible the minute the audience enters the boisterous West End revival of True West. By the time the director Matthew Dunster's production has roared to a close two hours later, pretty much nothing is still intact, its leading man's locks included. Read more... |
Fiddler on the Roof, Menier Chocolate Factory review - family matters in this sensitive musical revivalThursday, 06 December 2018
There’s a welcome alternative to panto hijinks in this gem of a Trevor Nunn musical revival – more attuned to the biting hardships of winter, and to the elegiac aspect of change, than to festive jollies. Read more... |
Hole, Royal Court review - anger is not quite enoughThursday, 06 December 2018
Actor Ellie Kendrick is a familiar face on television, but it's only as a writer that she reveals the depth of her rage against the world. At least, that's what it feels like. Read more... |
Ralegh: the Treason Trial, Sam Wanamaker Playhouse review - gripping verbatim court caseThursday, 29 November 2018
Forget the cloak in the puddle. Never mind potatoes and tobacco. The children's book cliché of Sir Walter Raleigh (or Ralegh as he seems to have preferred in an age of changeable spelling) represents little of the real man and is at best misleading. The cloak incident was a later invention and potatoes and tobacco were already known before Ralegh's adventures in the New World. Read more... |
Pages
Advertising feature
★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
latest in today
'We are bowled over!' Thank you for your messages...
