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Tom Birchenough

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Articles By Tom Birchenough

'We are bowled over!' Thank you for your messages of love and support

Friday, 14 November 2025 Read more...

Antony and Cleopatra, Shakespeare's Globe review - Egypt in sign language, Rome in pale force

Monday, 19 August 2024 Read more...

The Hot Wing King, National Theatre review - high kitchen-stove comedy, with sides of drama

Saturday, 20 July 2024 Read more...

Crossing review - a richly human journey of discovery

Saturday, 20 July 2024 Read more...

Richard III, Shakespeare's Globe review - Michelle Terry riffs with punk bravado

Thursday, 23 May 2024 Read more...

Something in the Air, Jermyn Street Theatre review - evocative London mood music

Tuesday, 25 October 2022 Read more...

Meeting Gorbachev review - Werner Herzog offers a swansong tribute

Wednesday, 31 August 2022 Read more...

Mad House, Ambassadors Theatre review - David Harbour is magnificent in Theresa Rebeck's family drama

Monday, 27 June 2022 Read more...

Jitney, Old Vic review - a directorial delight

Saturday, 18 June 2022 Read more...

Lava, Soho Theatre review - silences, secrets and lies

Friday, 22 April 2022 Read more...

'Daddy' A Melodrama, Almeida Theatre review - production exuberance carries a new play of promise

Monday, 11 April 2022 Read more...

The Fever Syndrome, Hampstead Theatre review - ambitious family drama falls short

Wednesday, 06 April 2022 Read more...

Peggy For You, Hampstead Theatre review - comedic gold, and a splinter of ice, from Tamsin Greig

Tuesday, 21 December 2021 Read more...

Measure for Measure, Sam Wanamaker Theatre review - this problem play is a delight

Monday, 06 December 2021 Read more...

A Merchant of Venice, Playground Theatre review - Shylock supreme in a pared-down production

Thursday, 18 November 2021 Read more...

'Night, Mother, Hampstead Theatre review - despair in sotto-voce

Tuesday, 02 November 2021 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
Prost, BBC 4 review - life and times of the driver they call...

With Brad Pitt’s much-trumpeted F1 movie about to screech noisily into the multiplexes, it’s not a bad time to be reminded of the career of one of...

Monteverdi Choir, English Baroque Soloists, Suzuki, St Marti...

In the Saxony of 1725 – still in the grip of Europe’s “Little Ice Age” – Bach and his musicians would seldom have had to deal with the sort of...

Patrick Wolf, Rough Trade East review - the Kent-based bard...

After the evening’s second song “The Last of England,” Patrick Wolf cautions “I’ve got nothing left to say.” During the shows leading up to this...

4.48 Psychosis, Royal Court review - powerful but déjà vu

Sarah Kane is the most celebrated new writer of the 1990s. Her work is provocative and innovative. So it seems oddly unimaginative to mark the...

The Buccaneers, Apple TV+, Season 2 review - American advent...

Edith Wharton hadn’t finished her novel, The Buccaneers, when she died in 1937, but it was completed in 1993 by Marion Mainwaring. The...

Red Path review - the dead know everything

Here’s a film you might not feel like seeing. After all, Red Path tells of a 14-year-old in Tunisia who is forced to carry home the...

Album: Loyle Carner - Hopefully!

Loyle Carner’s Hopefully! is a luminous, deeply personal exploration of fatherhood, identity, and artistic reinvention, marking the south...

The Midnight Bell, Sadler's Wells review - a first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...