wed 17/09/2025

Matt Wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Laura Benanti: Nobody Cares, Underbelly Boulevard Soho review - Tony winner makes charming, cheeky London debut

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Evita, London Palladium review - even more thrilling the second time round

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A Moon for the Misbegotten, Almeida Theatre review - Michael Shannon sears the night sky

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Burlesque, Savoy Theatre review - exhaustingly vapid

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Mrs Warren's Profession, Garrick Theatre review - mother-daughter showdown keeps it in the family

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The Deep Blue Sea, Theatre Royal Haymarket review - Tamsin Greig honours Terence Rattigan

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The Brightening Air, Old Vic review - Chekhov jostles Conor McPherson in writer-director's latest

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Here We Are, National Theatre review - Sondheim's sensational swan song

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My Master Builder, Wyndham's Theatre review - Ewan McGregor headlines stillborn Ibsen riff

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Oscars 2025: long day's journey into 'Anora'

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Richard II, Bridge Theatre review - handsomely mounted, emotionally muted

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Elektra, Duke of York's Theatre review - Brie Larson's London stage debut is angry but inert

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Best of 2024: Theatre

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The Devil Wears Prada, Dominion Theatre review - efficient but rarely inspired

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Wicked review - overly busy if beautifully sung cliffhanger

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Barcelona, Duke of York's Theatre review - Lily Collins migrates from France to Spain

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'We are bowled over!' Thank you for your messages... ...
Appl, Levickis, Wigmore Hall review - fun to the fore in cab...

Concerts at the Wigmore Hall offer many types of pleasure, but not often an evening so straightforwardly fun as Monday night’s recital by...

Album: The Divine Comedy - Rainy Sunday Afternoon

Neil Hannon has been recording and touring as the Divine Comedy since 1989 and has tried a fair few flavours along the way, from chamber pop to...

The Producers, Garrick Theatre review - Ve haf vays of makin...

Unexpectedly, there’s a sly reference to James Joyce’s Ulysses interpolated into Act One (in case we hadn’t caught the not...

Lammermuir Festival 2025, Part 2 review - from the soaringly...

My colleague Boyd Tonkin visited the Lammermuir Festival for the first time this year. His eyes and ears have been opened to its treasures, but...

Frances Wilson: Electric Spark - The Enigma of Muriel Spark...

How do you tell the story of a person’s mind? In the preface to Electric Spark: The Enigma of Muriel Spark, published this year by...

Blu-ray: The Sons of Great Bear

Westerns had long been popular with German cinema audiences, some of the most successful being early 1960s West German adaptations of novels by...

Spinal Tap II: The End Continues review - comedy rock band f...

That difficult second documentary – or if you will, “rockumentary” – seems to have been especially challenging for...

Tosca, Welsh National Opera review - a great company reduced...

So it’s come to this: WNO’s autumn season reduced to two operas, a Tosca borrowed from Opera North and a revival of their own Candide...

Not Your Superwoman, Bush Theatre review - powerful tribute...

The Bush is likely to continue its fine recent run of hit plays, with this funny, poignant, culturally authentic and beautifully acted two-hander...