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Matt Wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Theatre Lockdown Special 3: Mary Shelley twice over, Europe writ large, and one day more for a mega-musical

Thursday, 30 April 2020 Read more...

Theatre Lockdown Special 2: Birthdays aplenty, songs of hope, a starry quiz - and more

Thursday, 23 April 2020 Read more...

Cuck review - tediously nihilistic

Friday, 17 April 2020 Read more...

Theatre Lockdown Special 1: Starry podcasts, late-career Shakespeare, a celebrity basement - and more

Thursday, 16 April 2020 Read more...

Twelfth Night, RSC/Stratford-upon-Avon online review - inventive but underfelt

Wednesday, 15 April 2020 Read more...

Flowers for Mrs Harris, Chichester Festival Theatre online review - a warmly open-hearted weepie

Monday, 13 April 2020 Read more...

Wonderland, Hampstead Theatre online review - a major play about the miners

Wednesday, 08 April 2020 Read more...

Cyprus Avenue, Royal Court Theatre online review - a mind in mesmerising meltdown

Tuesday, 07 April 2020 Read more...

Wild, Hampstead Theatre online review - timelier than anticipated

Thursday, 02 April 2020 Read more...

Sondheim at 90: adults will listen

Sunday, 22 March 2020 Read more...

Love, Love, Love, Lyric Hammersmith review - a stinging revival

Friday, 13 March 2020 Read more...

On Blueberry Hill, Trafalgar Studios review - superb acting, specious plot

Thursday, 12 March 2020 Read more...

Pretty Woman: The Musical, Piccadilly Theatre review - not so pretty, actually

Tuesday, 03 March 2020 Read more...

Be More Chill, The Other Palace review - more exhausting than enlightening

Monday, 24 February 2020 Read more...

A Number, Bridge Theatre review - a dream team dazzles anew

Friday, 21 February 2020 Read more...

The Visit, National Theatre review - star turn bolsters baggy rewrite

Saturday, 15 February 2020 Read more...

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Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...

Sarah Silverman, Netflix Special review - finding the funny...

Death can be a powerful driver for comedy...

Blu-ray: Darling

A look at Darling on its 60th anniversary offers a sobering reality check on the "...