wed 17/09/2025

Rachel Halliburton

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Articles By Rachel Halliburton

The Gathered Leaves, Park Theatre review - dated script lifted by nuanced characterisation

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BBC Proms: Royal Concertgebouw Orchestra, Mäkelä review - defiantly introverted Mahler 5 gives food for thought

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BBC Proms: A Mass of Life, BBCSO, Elder review - a subtle guide to Delius's Nietzschean masterpiece

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Interview: Quinteto Astor Piazzolla on playing in London and why Mick Jagger's a fan

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The Merry Wives of Windsor, Shakespeare's Globe review - hedonistic fizz for a summer's evening

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Immersive Night Music Show, Makita, Londinium Ensemble, World Heart Beat Embassy Gardens - multimedia musings on a midsummer night

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Hespèrion XXI, Savall, QEH review - an evening filled with laughter and light

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Saul, Glyndebourne review - playful, visually ravishing descent into darkness

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Fiddler on the Roof, Barbican review - lean, muscular delivery ensures that every emotion rings true

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Elephant, Menier Chocolate Factory review - subtle, humorous exploration of racial identity and music

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The Crucible, Shakespeare's Globe review - stirring account of paranoia and prejudice

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1536, Almeida Theatre review - fast and furious portrayal of women in Henry VIII's England

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Romeo and Juliet, Shakespeare's Globe - swagger and vivacity cohabit with death

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La Serenissima, Wigmore Hall review - a convivial guide to 18th century Bologna

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The Great Gatsby, London Coliseum review - lavish and lively production fails to capture the novel's tortured soul

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Tales of Apollo and Hercules, London Handel Festival review - compelling elements, but a failed experiment

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Unexpectedly, there’s a sly reference to James Joyce’s Ulysses interpolated into Act One (in case we hadn’t caught the not...

Appl, Levickis, Wigmore Hall review - fun to the fore in cab...

Concerts at the Wigmore Hall offer many types of pleasure, but not...

Album: The Divine Comedy - Rainy Sunday Afternoon

Neil Hannon has been recording and touring as the Divine Comedy since 1989 and has tried a fair few flavours along the way, from chamber pop to...

Lammermuir Festival 2025, Part 2 review - from the soaringly...

My colleague Boyd Tonkin visited the Lammermuir Festival for the first time this year. His eyes and ears have been opened to its treasures, but...

Frances Wilson: Electric Spark - The Enigma of Muriel Spark...

How do you tell the story of a person’s mind? In the preface to Electric Spark: The Enigma of Muriel Spark, published this year by...

Blu-ray: The Sons of Great Bear

Westerns had long been popular with German cinema audiences, some of the most successful being early 1960s West German adaptations of novels by...

Spinal Tap II: The End Continues review - comedy rock band f...

That difficult second documentary – or if you will, “rockumentary” – seems to have been especially challenging for...

Tosca, Welsh National Opera review - a great company reduced...

So it’s come to this: WNO’s autumn season reduced to two operas, a Tosca borrowed from Opera North and a revival of their own Candide...

Not Your Superwoman, Bush Theatre review - powerful tribute...

The Bush is likely to continue its fine recent run of hit plays, with this funny, poignant, culturally authentic and beautifully acted two-hander...