wed 17/09/2025

Rachel Halliburton

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Articles By Rachel Halliburton

Ensemble Augelletti, London Handel Festival, Charterhouse review - dynamic framing of the honorary Englishman

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Bevan, Williams, BBCSO, MacMillan, Barbican review - inspirational journey from darkness to light

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Der fliegende Holländer, Royal Opera review - compellingly lucid with an austere visual beauty

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Bartlett, LPO, Bihlmaier, RFH review - a clear path through the storm

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Balanas Sisters, Anonimi Orchestra, The Bomb Factory, Marylebone review - talented Latvian conductor heads exciting new ensemble

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Sakamoto's Kagami, Tin Drum, Roundhouse review - haunting virtual reality performance from late composer

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Newby, Middleton, Wigmore Hall review - archly subversive interpretation of traditional themes

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SANSARA, The Waiting Sky: A Christmas Meditation, Kings Place review - a thrillingly mysterious and profound Christmas alternative

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Aurora Orchestra, Kings Place review - experimental work in an immersive setting

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Hiromi's Sonicwonder, EFG London Jazz Festival, Barbican review - keyboard fireworks from a brilliantly versatile jazz pianist

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Maxim Vengerov, Polina Osetinskaya, Barbican review - masterclass in technique with a thrilling rage of emotions

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Mahler 2, LPO, Gardner, RFH review - an interpretation of superlative resonance and clarity

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Fatma Said, Tim Allhoff, Lafayette Club review - from Fauré to the Middle East and back

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As You Like It, Shakespeare's Globe review - vibrant, ebullient fun in a forest where anything goes

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Prom 64: Les Troyens, Orchestre Révolutionnaire et Romantique, Sousa review - ravishing interpretation of Berlioz's masterpiece

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Prom 53: Davies, The English Concert, Bezuidenhout review - elegance and elan in late-night Bach

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The Producers, Garrick Theatre review - Ve haf vays of makin...

Unexpectedly, there’s a sly reference to James Joyce’s Ulysses interpolated into Act One (in case we hadn’t caught the not...

Appl, Levickis, Wigmore Hall review - fun to the fore in cab...

Concerts at the Wigmore Hall offer many types of pleasure, but not...

Album: The Divine Comedy - Rainy Sunday Afternoon

Neil Hannon has been recording and touring as the Divine Comedy since 1989 and has tried a fair few flavours along the way, from chamber pop to...

Lammermuir Festival 2025, Part 2 review - from the soaringly...

My colleague Boyd Tonkin visited the Lammermuir Festival for the first time this year. His eyes and ears have been opened to its treasures, but...

Frances Wilson: Electric Spark - The Enigma of Muriel Spark...

How do you tell the story of a person’s mind? In the preface to Electric Spark: The Enigma of Muriel Spark, published this year by...

Blu-ray: The Sons of Great Bear

Westerns had long been popular with German cinema audiences, some of the most successful being early 1960s West German adaptations of novels by...

Spinal Tap II: The End Continues review - comedy rock band f...

That difficult second documentary – or if you will, “rockumentary” – seems to have been especially challenging for...

Tosca, Welsh National Opera review - a great company reduced...

So it’s come to this: WNO’s autumn season reduced to two operas, a Tosca borrowed from Opera North and a revival of their own Candide...

Not Your Superwoman, Bush Theatre review - powerful tribute...

The Bush is likely to continue its fine recent run of hit plays, with this funny, poignant, culturally authentic and beautifully acted two-hander...