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aleks sierz

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Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Miss Myrtle’s Garden, Bush Theatre review - flowering talent, but needs weeding

Sunday, 08 June 2025 Read more...

Personal Values, Hampstead Theatre review - deep grief that's too brief

Thursday, 24 April 2025 Read more...

All the Happy Things, Soho Theatre review - deep feelings, but little drama

Wednesday, 16 April 2025 Read more...

Manhunt, Royal Court review - terrifyingly toxic masculinity

Monday, 14 April 2025 Read more...

Rhinoceros, Almeida Theatre review - joyously absurd and absurdly joyful

Saturday, 05 April 2025 Read more...

Apex Predator, Hampstead Theatre review - poor writing turns horror into silliness

Wednesday, 02 April 2025 Read more...

Playhouse Creatures, Orange Tree Theatre review - jokes, shiny costumes and quarrels, but little drama

Thursday, 27 March 2025 Read more...

The Habits, Hampstead Theatre review - who knows what adventures await?

Thursday, 13 March 2025 Read more...

Alterations, National Theatre review - high emotional costs of ambition

Sunday, 02 March 2025 Read more...

A Knock on the Roof, Royal Court review - poignant account of living under terror

Friday, 28 February 2025 Read more...

East Is South, Hampstead Theatre review - bewildering and unconvincing

Wednesday, 19 February 2025 Read more...

Unicorn, Garrick Theatre review - wordy and emotionless desire

Monday, 17 February 2025 Read more...

More Life, Royal Court review - posthuman tragedy fails to come alive

Saturday, 15 February 2025 Read more...

Churchill in Moscow, Orange Tree Theatre review - thought-provoking language and power games

Thursday, 13 February 2025 Read more...

… Blackbird Hour, Bush Theatre review - an unrelentingly tough watch

Tuesday, 04 February 2025 Read more...

A Good House, Royal Court review - provocative, but imperfect

Monday, 20 January 2025 Read more...

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This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

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If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...

Sarah Silverman, Netflix Special review - finding the funny...

Death can be a powerful driver for comedy...

Blu-ray: Darling

A look at Darling on its 60th anniversary offers a sobering reality check on the "...