sun 04/05/2025

aleks sierz

aleks.sierz's picture
Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Personal Values, Hampstead Theatre review - deep grief that's too brief

Read more...

All the Happy Things, Soho Theatre review - deep feelings, but little drama

Read more...

Manhunt, Royal Court review - terrifyingly toxic masculinity

Read more...

Rhinoceros, Almeida Theatre review - joyously absurd and absurdly joyful

Read more...

Apex Predator, Hampstead Theatre review - poor writing turns horror into silliness

Read more...

Playhouse Creatures, Orange Tree Theatre review - jokes, shiny costumes and quarrels, but little drama

Read more...

The Habits, Hampstead Theatre review - who knows what adventures await?

Read more...

Alterations, National Theatre review - high emotional costs of ambition

Read more...

A Knock on the Roof, Royal Court review - poignant account of living under terror

Read more...

East Is South, Hampstead Theatre review - bewildering and unconvincing

Read more...

Unicorn, Garrick Theatre review - wordy and emotionless desire

Read more...

More Life, Royal Court review - posthuman tragedy fails to come alive

Read more...

Churchill in Moscow, Orange Tree Theatre review - thought-provoking language and power games

Read more...

… Blackbird Hour, Bush Theatre review - an unrelentingly tough watch

Read more...

A Good House, Royal Court review - provocative, but imperfect

Read more...

The Invention of Love, Hampstead Theatre review - beautiful wit, awkward staging

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Fake, ITV1 review - be careful what you wish for

The art of the conman is persuading their victim to fool themselves, which is the premise that lies at the core of this Australian drama series....

theartsdesk Q&A: film director Déa Kulumbegashvili on he...

One of the most exciting new voices in Eastern European film, Déa Kulumbegashvili is not concerned with conventional shot lengths. She has been...

Music Reissues Weekly: John McKay - Sixes and Sevens

Sixes and Sevens is a surprise. A big one. Since leaving Siouxsie and the Banshees in September 1979, John McKay has...

Pimpinone, Royal Opera in the Linbury Theatre review - farce...

Full marks to the Royal Opera for good planning: one first night knocking us all sideways with the darkest German operatic tragedy followed by...

Krapp's Last Tape, Barbican review - playing with the l...

In the Stygian darkness of a bare room, a table on a low platform with a light hanging overhead starts to emerge. Then a door briefly...

Formula E: Driver, Prime Video review - inside the world...

The success of Netflix’s Drive to Survive not only provoked a viewer-stampede towards the world’s most expensive sport, but also...

Die Walküre, Royal Opera review - total music drama

Wagner’s universe, in the second of his Ring operas which brings semi-humans on board to challenge the gods, matches exaltation and misery, terror...