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aleks sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

When Winston Went to War with the Wireless, Donmar Warehouse review - lively, but messy

Wednesday, 05 July 2023 Read more...

The Swell, Orange Tree Theatre review - mind-bending romantic drama

Monday, 03 July 2023 Read more...

The Pillowman, Duke of York’s Theatre review - starry but slack

Friday, 23 June 2023 Read more...

All of It/Hope Has a Happy Meal, Royal Court review - surreal pleasures

Monday, 12 June 2023 Read more...

Dixon and Daughters, National Theatre review - cold discomfort harm

Thursday, 27 April 2023 Read more...

Sea Creatures, Hampstead Theatre review - mysterious and allusive

Friday, 07 April 2023 Read more...

A Little Life, Harold Pinter Theatre review - unrelenting trauma

Thursday, 06 April 2023 Read more...

Black Superhero, Royal Court review - ambitious, but messy

Saturday, 25 March 2023 Read more...

The Way Old Friends Do, Park Theatre review - sweet, but flimsy

Monday, 20 March 2023 Read more...

Further Than the Furthest Thing, Young Vic review - small island longings

Saturday, 18 March 2023 Read more...

Truth's a Dog Must to Kennel, Battersea Arts Centre review - King Lear goes virtual

Thursday, 02 March 2023 Read more...

Trouble in Butetown, Donmar Warehouse review - entertaining and warmhearted

Wednesday, 22 February 2023 Read more...

Graceland, Royal Court review - quiet desolation is too literary

Thursday, 16 February 2023 Read more...

Phaedra, National Theatre review - stunning acting in stunning show

Monday, 13 February 2023 Read more...

Linck & Mülhahn, Hampstead Theatre review - problems as well as pleasures

Wednesday, 08 February 2023 Read more...

Lemons Lemons Lemons Lemons Lemons, Harold Pinter Theatre review - cool cast chills the drama

Thursday, 02 February 2023 Read more...

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'We are bowled over!' Thank you for your messages... ...
Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...

Sarah Silverman, Netflix Special review - finding the funny...

Death can be a powerful driver for comedy...

Blu-ray: Darling

A look at Darling on its 60th anniversary offers a sobering reality check on the "...