Theatre Reviews
Old Stock: A Refugee Love Story, Wilton's Music Hall review - klezmer revue is moving and inventiveFriday, 20 September 2019
Canadian playwright Hannah Moscovitch’s “refugee musical” – now there’s a phrase you don’t expect to write – is a treat. Read more... |
Big the Musical, Dominion Theatre review - sweet if wildly overstretchedWednesday, 18 September 2019
The work isn't finished on Big, if this stage musical of the beloved 1988 Tom Hanks film is ever to, um, make it big. Read more... |
Faith, Hope & Charity, National Theatre review - a grim compassionWednesday, 18 September 2019
Alexander Zeldin continues his devastating analysis of modern Britain in this culminating play of a (very loose) trilogy that started with 2014’s Beyond Caring, followed by LOVE two years after that. Read more... |
Pride and Prejudice* (*sort of), Bristol Old Vic review - Jane Austen as shallow romcomMonday, 16 September 2019
It is a truth perhaps not quite but almost universally accepted that Jane Austen’s Pride and Prejudice, beloved of GSCE English Lit examiners, and often adapted for the screen, is a part of the canon, waiting to be re-interpreted according to the fashions of the day. Read more... |
Amsterdam, Orange Tree Theatre review - suffocatingly manneredSaturday, 14 September 2019
An excellent director makes a rare misstep with Amsterdam, in which a compelling if tricksy play is given an arch and mannered production that only distances the audience further. Read more... |
What Girls Are Made Of, Soho Theatre review - euphoric gig-theatreFriday, 13 September 2019
It’s now Edinburgh Fringe transfer season in London, but here’s one they made earlier: Cora Bissett’s Fringe First-winning autobiographical play from the 2018 Festival about her time in 1990s indie band Darlingheart. Read more... |
The King of Hell’s Palace, Hampstead Theatre review - Chinese scandal freezes the bloodFriday, 13 September 2019
New artistic directors are popping up all over British theatre. Every week seems to usher in a refreshingly versatile talent taking the reins of a major theatre. Read more... |
For Services Rendered, Jermyn Street Theatre review – uneven revival of 1930s dramaThursday, 12 September 2019
“I don’t think I have the right to influence her,” says an older character of her daughter in For Services Rendered, W Somerset Maugham’s 1932 anti-war drama. If only all elder statesmen and women felt the same about the youth. Read more... |
Preludes, Southwark Playhouse review - journeying into the mind of RachmaninoffThursday, 12 September 2019
Where does music come from? That’s the vital question posed to Sergei Rachmaninoff in Dave Malloy’s extraordinary 2015 chamber work, as the great late-Romantic Russian composer – stuck in his third year of harrowing writer’s block – tries to relocate his gift. Read more... |
A Doll's House, Lyric Hammersmith review - Ibsen tellingly transposed to colonial IndiaThursday, 12 September 2019
Newly arrived from a much-lauded stint at the Sherman Theatre, Cardiff, Rachel O'Riordan has undertaken to make "work of scale by women" during her time as artistic director of the Lyric. What better place to start than with Ibsen's once-shocking heroine, her story reimagined by prolific playwright Tanika Gupta? Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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