thu 19/06/2025

Laura de Lisle

Articles By Laura De Lisle

Richard, My Richard, Theatre Royal Bury St Edmund's review - too much history, not enough drama

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Passing, Park Theatre review - where do we go from here?

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The Shape of Things, Park Theatre review - the shape of what, exactly?

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F**cking Men, Waterloo East Theatre - sex and not much else

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Grenfell: System Failure, Playground Theatre review - if this doesn't make you angry, nothing will

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The Unfriend, Criterion Theatre review - dark comedy is (largely) audience-unfriendly

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Hakawatis: Women of the Arabian Nights, Sam Wanamaker Playhouse review - magical stories by candlelight

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Newsies, Troubadour Wembley Park Theatre review - bombastic musical let down by its songs

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Good, Harold Pinter Theatre review - brilliant but half-baked

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The Doctor, Duke of York's Theatre review - Juliet Stevenson will see you now

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Bliss, Finborough Theatre review - bleak but tender

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The Misfortune of the English, Orange Tree Theatre review - don't fret, boys, it's only death

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For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy, Royal Court review - Black joy, pain, and beauty

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Tom Fool, Orange Tree Theatre review - testing family values

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Steve, Seven Dials Playhouse review - everything’s charming, except the script

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Two Billion Beats, Orange Tree Theatre review - bursting with heart

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'We are bowled over!' Thank you for your messages... ...
The Midnight Bell, Sadler's Wells review - A first repr...

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of...

Album: HAIM - I Quit

Haim’s profile just grows and grows. Since their last album, youngest sibling Alana’s starring role in Paul Thomas Anderson’s whimsical Seventies...

Aldeburgh Festival, Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Bonnie Raitt, Brighton Dome review - a top night with a char...

If you walked into a bar in the US, say in one of the southern states, and Bonnie Raitt and her band were playing, you’d have the best night of...

Hidden Door Festival 2025 review - the transformative Edinbu...

"When I was your age, I worked in a corrugated cardboard factory!" is a phrase my father was fond of telling me as a teenager, presumably in an...

Edward Burra, Tate Britain review - watercolour made mainstr...

It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...