New Music Reviews
White Lies, SWG3, Glasgow review - indie veterans get their groove onThursday, 17 March 2022
White Lies began their set as many bands would end it, with a familiar hit ringing out and an explosion of confetti over the crowd. Such a tactic made you wonder if the three-piece would peak too soon here, mirroring the band’s commercial fortunes over a now lengthy career. First came a chart-topping album, then a series of mostly well regarded follow-ups that have slipped down the charts each time. Thankfully, and at times, surprisingly, the opposite was true. Read more... |
L'Impératrice, O2 Shepherds Bush review - delayed gratificationWednesday, 16 March 2022
Born in the bedroom of keyboard player Charles de Boisseguin, bathed in a sleek, quintessentially French tradition of electro-pop, L’Impératrice materialised on the darkened stage at the O2 Shepherds Bush, with glowing hearts beating in unison on their chests. Read more... |
Music Reissues Weekly: Broadcast - Maida Vale Sessions, Microtronics, Mother Is The Milky WaySunday, 13 March 2022
In 2000, Broadcast’s first album The Noise Made By People entered the UK’s mainstream Top 100 and claimed the top spot on the dance charts. Three years later, their second album Haha Sound was in the Top Ten of America’s dance/electronic charts. It also went Top Five on the UK’s dance charts. Read more... |
Music Reissues Weekly: Blossom Toes - We Are Ever So CleanSunday, 06 March 2022
In July 1967, a British band called The Ingoes changed their name. Up to this point they’d traded in R&B, blues and soul, and tackled some rock ’n roll covers too. Ingoes referenced the 1958 Chuck Berry song “Ingo”. As they’d just recorded their debut album, a rebranding was needed. It was psychedelic so their management came up with Blossom Toes. Read more... |
theartsdesk on Vinyl 69: Andrew Weatherall, Courtney Barnett, Wings, Los Bitchos, Popol Vuh and moreSaturday, 05 March 2022
As the year starts to rev up, theartsdesk on Vinyl returns with over 7000 words on new music on plastic, a smörgåsbord of the kind you will find nowhere else. This month we also have a competition for the dance music lovers among you, a chance to win a £50 gift card for the new app Recycle Vinyl (online stock of 10,000 records + 25,000 in their warehouse + 500 more added every week). Read more... |
Album: Loop - SonancySaturday, 05 March 2022
Seven and a half years ago, Loop frontman Robert Hampson retired the band's back catalogue in front of a live audience. “You won’t hear these old songs again,” he told the audience at Islington’s Garage. Read more... |
Melt Yourself Down, Patterns, Brighton review - ballistic double sax punk attackFriday, 04 March 2022
“As you’ve noticed, I’m really terrible at talking between the songs,” announces Melt Yourself Down singer Kushal Gaya, two-thirds of the way through the gig. He is. But it really doesn’t matter; the genre-uncategorizable London six-piece smash through their hour-and-15-minute set with a lean, giddy forward propulsion that brooks no pause. Read more... |
Music Reissues Weekly: Bernard Butler - People Move OnSunday, 27 February 2022
This new edition of People Move On, Bernard Butler’s April 1998 debut solo album, takes what was issued then to up to four CDs. Nothing unusual in that. Box set-isations of a single album customarily add alternate versions, outtakes, non-album tracks from singles, demos, live tracks, recordings from tracking sessions. Read more... |
Music Reissues Weekly: U-Roy - Version GaloreSunday, 20 February 2022
The death of U-Roy was announced on 17 February 2021. A year on, the reappearance of his oft-reissued 1971 debut album Version Galore brings the opportunity to celebrate the music which brought him his earliest success; the music which propelled him into Jamaica’s top ranks. Read more... |
Album: Basia Bulat - The GardenThursday, 17 February 2022
On her sixth album, Basia Bulat re-records 16 of her own songs with specially created string arrangements. The Garden isn’t a best-of, more a recalibration of how the Canadian singer-songwriter sees herself through her music and how the meanings of the songs have changed. Read more... |
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